Catharine Macaulay

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Standard Name: Macaulay, Catharine
Birth Name: Catharine Sawbridge
Married Name: Catharine Macaulay
Married Name: Catharine Graham
Self-constructed Name: Catharine Macaulay Graham
Used Form: Mrs Macauly
CM is best known as a radical historian (the only historian of England from a republican point of view for almost two centuries after she wrote). The eight volumes of her History of England took her another twenty years of work from the publication of the first volume in 1763, and ran to 3,483 quarto pages.
Hill, Bridget. The Republican Virago: The Life and Times of Catharine Macaulay, Historian. Clarendon Press.
26
She also wrote memorable pamphlets on political and other topics, and treatises on theology and gender politics.

Connections

Connections Author name Sort ascending Excerpt
Reception Hester Mulso Chapone
Her brother John wrote of the Praises that resound on all Sides following the publication of this book, though he regretted that reviewers, in praising the moral content, had ignored the literary style.
Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon.
231
Recently Sylvia Harcstark Myers
Friends, Associates Elizabeth Carter
EC associated on terms of warmth and equality with men of letters or culture such as Samuel Johnson , Samuel Richardson , Thomas Birch , Moses Browne , Richard Savage , William and John Duncombe
Publishing Elizabeth Carter
The book had gone to press in June 1757.
Feminist Companion Archive.
The original press run of 1,018 copies had to be supplemented with a further 250. First of several more editions was the Dublin one of the...
Theme or Topic Treated in Text Elizabeth Carter
Poems printed here include some which are movingly personal. To the Rev. Dr. Carter thanks her father for his unusual interpretation of the paternal role: Ne'er did thy voice assume a master's pow'r, ....
Textual Features Frances Brooke
Brooke's advertisement to volume 3 says she gave up her plan for an essay on the writing of history, and settled instead on using notes to demonstrate how this work is, as all history ought...
Theme or Topic Treated in Text Mary Matilda Betham
Catharine Macaulay , she insists, was pleasing and delicate in her person, and a woman of great feeling and indisputable abilities, though the democratic spirit of her writings has made them fall into disrepute.
Feminist Companion Archive.
She...
Intertextuality and Influence Anna Maria Bennett
Readers first encounter the young male protagonist, Henry Dellmore, bearing the nickname of Mumps, and suffering as a pupil at a Dickensian school, under the proprietor Mr Puffardo. Once taken up by benefactors, he...
Textual Production Elizabeth Ogilvy Benger
She wrote it before the death of Catharine Macaulay , though it appeared afterwards. Lucy Aikin said she wrote it at about fifteen, which exaggerates her youth by only a year.
The Monthly Repository. Longman, Hurst, Rees and Orme.
1 n.s., 1827.126
Her...
Textual Features Elizabeth Ogilvy Benger
EOB writes in terms of a women's tradition: for instance, she praises Barbauld for praising Elizabeth Rowe . She makes confident judgements and attributions (she is sure that Lady Pakington is the real author of...
Textual Production Anna Letitia Barbauld
For this her great support and encouragement was her brother (as he, rather than her husband , continued to be for her later publications). After he left home to pursue his studies, she sent him...
Textual Features Anna Letitia Barbauld
She strikes a newly bold, almost an insurrectionary note here, calling upon revolutionary France, indeed, to provide a model. [W]hatever is corrupted must be lopt away, she writes, as people assert their long forgotten...
Intertextuality and Influence Lucy Aikin
Her model for this genre was Elizabeth Hamilton , but the influence of Catharine Macaulay is discerned by Karen O'Brien in Aikin's Whig positioning and in her self-confidently judgemental tone.
O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press.
218
This work was reissued...

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