Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press.
1: 731
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Georgiana Chatterton | She sent out copies to Cardinal Wiseman
, William Holman Hunt
(who expressed his delight), Thomas Carlyle
, Alfred Lord Tennyson
(who called it picturesque), Edward Bulwer-Lytton
, and German historian Leopold Ranke
. |
Publishing | Isabella Banks | Heywood and Son
, the Manchester publishers whom IB
had known since childhood and who were issuing a collected edition of her works, published her new novel More than Coronets (titled from a poem by... |
Publishing | Agatha Christie | This, called only The Mirror Crack'd in the US edition the following year (so that the quotation from Tennyson
becomes easy to miss), was followed by A Caribbean Mystery, 1964 (in which Miss Marple's... |
Publishing | Dorothy Wellesley | DW
's introductions are largely biographical. After these first books she got her series taken on by Collins for The English Poets, a subset of their series Britain in Pictures (of whose editorial committee... |
Publishing | Sara Coleridge | SC
published a lengthy review (anonymous, according to custom) of Tennyson
's The Princess in the Quarterly Review. Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press. 1: 731 |
Publishing | Christina Rossetti | Further submissions to the Athenæum were rebuffed as too infected with Tennyson
ian mannerisms. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 88 |
Publishing | Blanche Warre Cornish | |
Publishing | George Eliot | The first number of the Westminster Review to appear under her anonymous (and unpaid) editorship was that of January 1852, which was also the first under John Chapman
's ownership. One of her own contributions... |
Publishing | Anna Letitia Waring | At two shillings and sixpence, this collection was inexpensive. Almost twenty enlarged editions were published, by various publishers, between 1852 and 1911. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Reception | Charlotte Brontë | On 4 July 1846, two anonymous reviews appeared of Poems by Currer, Ellis, and Acton Bell: one mildly positive by Sydney Dobell
in the Athenæum, and one enthusiastic in the Critic. Barker, Juliet. The Brontës. St Martin’s Press. 497-8 |
Reception | Emily Brontë | Charlotte tried to promote the volume by sending copies to such authors as Wordsworth
, Tennyson
, De Quincey
, and Ebenezer Elliot
. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul. 8 Barker, Juliet. The Brontës. St Martin’s Press. 499 |
Reception | A. Mary F. Robinson | The book was a critical success. Rumours spread that Tennyson
and Browning
had enjoyed reading it, and this made the young poet the talk of literary London. Robertson, Eric Sutherland. English Poetesses. Cassell. 376 |
Reception | Margery Lawrence | In his Foreword to the volume, Sir Shane Leslie
finds the influences of Shelley
, Yeats
, Tennyson
, Kipling
, Housman
, Chesterton
, and Fiona MacLeod
(pen-name of William Sharp). Yet according to... |
Reception | Jean Ingelow | Following the death of Tennyson
, JI
was considered for the position of Poet Laureate. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 35 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Reception | Alice Meynell |
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