Bradshaw, Mary Ann Cavendish. Memoirs of Maria, Countess d’Alva. William Miller, 1808, 2 vols.
1: title-page
Connections Sort descending | Author name | Excerpt |
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Textual Features | Mary Ann Cavendish Bradshaw | Each title-page proclaims: If the cap fits, wear it—perhaps acknowledging the à clef element of the story. Bradshaw, Mary Ann Cavendish. Memoirs of Maria, Countess d’Alva. William Miller, 1808, 2 vols. 1: title-page |
Textual Features | Mary Ann Cavendish Bradshaw | Having had the heart-rending misery to deplore the death of my dear children, the countess now longs to die too, Bradshaw, Mary Ann Cavendish. Memoirs of Maria, Countess d’Alva. William Miller, 1808, 2 vols. 1: 56 |
Textual Features | Anne Hunter | These works, with settings ranging from Scotland to America and India, and speakers facing violent death, conform perfectly to the stark tone of the ballad tradition. In a context of tribal warfare, the courage of... |
Textual Features | Frances Brooke | Brooke's advertisement to volume 3 says she gave up her plan for an essay on the writing of history, and settled instead on using notes to demonstrate how this work is, as all history ought... |
Textual Features | Elizabeth Tollet | ET
's various poems about marriage make all the usual points deployed by those writers who set themselves against the current legal drawbacks of marriage for women. She translated Latin epigrams attributed to two famous... |
Textual Features | Rose Allatini | This novel traces the young life of Olive Dalcroze: her personal development and her stifling by society. As a little girl she vies with her flamboyant French cousin Renée (who later falls from respectable society)... |
Textual Production | Amelia Opie | AO
published over these months in the European Magazine a series of twelve Epistles by Mary, Queen of Scots amounting to a thousand lines in heroic couplets, spoken in the voice of the injured queen. Opie, Amelia. “Introduction”. The Collected Poems of Amelia Alderson Opie, edited by Shelley King and John B. Pierce, Oxford University Press, 2009, p. xxxvii - lxx. xlviii Opie, Amelia. The Collected Poems of Amelia Alderson Opie. Editors King, Shelley and John B. Pierce, Oxford University Press, 2009. 274n232 |
Textual Production | Antonia Fraser | AF
divides her composition of historical books into three stages: first the research, then setting her notes aside and writing straight through, then editing and correcting according to the notes. qtd. in Wroe, Nicholas. “The history woman”. The Guardian, 24 Aug. 2002, pp. 16-19. 18 |
Textual Production | Elizabeth Ogilvy Benger | EOB
published another, more ambitious historical biography, Memoirs of the Life of Mary, Queen of Scots. Quarterly Review. J. Murray. 28: 267 O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press, 2009. 220 |
Textual Production | Antonia Fraser | Cromwell was like her first historical subject, Mary, Queen of Scots
, in having been arguably demonised both in the public mind and in much historical writing; he was unlike Mary in suffering from a... |
Textual Production | Mary Russell Mitford | MRM
told a friend that she expected immortality not from any unaided work but from her Mary Queen of Scots
' Farewell to France, based on a poem written in French by the queen... |
Textual Production | Agnes Strickland | They failed to reach agreement with Colburn
, and this collection was published by William Blackwood
in Edinburgh. Pope-Hennessy, Una. Agnes Strickland: Biographer of the Queens of England. Chatto and Windus, 1940. 211 |
Textual Production | Elizabeth Montagu | EM
entertained the idea of writing about Elizabeth I
: perhaps a comparison between her and Catherine de Medici
. She had long taken an interest in Elizabeth as a masculine woman exercising power: had... |
Textual Production | Muriel Spark | She continued to write after settling in London, and in early 1945 was at work on a verse drama about Mary, Queen of Scots
. Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson, 2009. 74 |
Textual Production | Eliza Haywood | EH
published a biography, Mary Stuart, Queen of Scots: a new genre for her. The title-page claimed that it was a translation from French. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto, 2003. 233, 236 Whicher, George Frisbie. The Life and Romances of Mrs. Eliza Haywood. Columbia University Press, 1915. 191 |
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