Athenæum. J. Lection.
2726 (1880): 124
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Lady Charlotte Elliot | In his obituary for her, Theodore Watts (later Watts-Dunton)
, wrote that she did not seek publication before this book, though she had always had a love of literature and poetry, and began to write... |
Literary responses | Lady Charlotte Elliot | In 1880 Theodore Watts
described this volume as unequal, and noted that the poet was later inclined to disparage her initial publication. Athenæum. J. Lection. 2726 (1880): 124 |
Literary responses | Lady Charlotte Elliot | LCE
received little critical attention either during or after her lifetime. The Athenæum obituary by Theodore Watts
described her as perhaps the latest noticeable addition to that bright roll of female poets of which Scotland... |
Cultural formation | Mathilde Blind | Her English retained a faint foreign accent, Armstrong, Isobel et al., editors. Nineteenth-Century Women Poets. Clarendon Press. 652 Demoor, Marysa. “Women Poets as Critics in the <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘j’>Athenæum</span>: Ungendered Anonymity Unmasked”. Nineteenth-Century Prose, Vol. 24 , No. 1, pp. 51-71. 54 |
Literary responses | Mathilde Blind | Theodore Watts-Dunton
, in the Athenæum, opened his detailed, considered review by making somewhat heavy weather of the concept of eminence in women, citing Blind's comments on Eliot's essay. He goes on, however, to... |
Literary responses | Mathilde Blind | Despite her very high reputation, particularly as a poet, in her own day, MB
quickly disappeared from the literary horizon following her death. Disregard of the political aspects of her poetry led to serious misreading... |
No timeline events available.
No bibliographical results available.