Jonathan Swift

-
Standard Name: Swift, Jonathan

Connections

Connections Sort ascending Author name Excerpt
Textual Features Elizabeth Boyd
EB offers original, discriminating praise for women's writing: Susanna Centlivre (her inspiration, she says), Eliza Haywood (though she regrets her exposure of women's faults), Aphra Behn , and Delarivier Manley , whom she calls the...
Textual Features Eliza Haywood
EH 's fictional Swift is widely unlike the original, especially in prose style.
Textual Features Constance Naden
The Elixir of Life opens with the waking vision of a man and woman in their summer prime, he looking like Apollo, she looking like an angel with just a touch of the siren or...
Textual Features Mary Astell
These poems succeed in making the Christian life of resignation and unselfishness into a series of heroic trials and combats. MA has the makings of a fine poet in the grand style; she evidently learned...
Textual Features Mary Savage
It is a poem highly characteristic of her manner: a moral tale featuring a personified quality, humorous, ironic, and written in octosyllabic couplets reminiscent of Swift or Prior . Prudence and Oeconomy are the daughters...
Textual Features Frances Burney
Along with the sentimental and misunderstanding-prone lovers and the ridiculous esprit circle (which might so easily be taken to represent the Bluestockings), The Witlings features a women's working environment: a milliner's shop where seamstresses make...
Textual Features Delarivier Manley
This book is often seen as a sequel, and it retails the same type of scandal as the New Atalantis, but without the supernatural mediating characters. It too purports to be translated: this time...
Textual Features Fidelia
She explains that having waited four months for Swift to answer her marriage proposal—still in love with him, having rejected other suitors for his sake, admiring his power of raillery, forgiving his harshness to women...
Textual Features Mary Savage
The opening poem, Nothing New, situates the anxieties of authors in regard to critics in the tradition of anxieties of lovers: both are right to be anxious. The contents include an English translation of...
Textual Features Fidelia
Fidelia defends herself against the suspicion of being a male in disguise: I feign my name, but not my sex.
Gentleman’s Magazine. Various publishers.
5 (1735): 256
She keeps up the fantasy of her love for Swift , assuring...
Textual Features Dorothy Osborne
She trod a fine line as to the expression of her own feelings, for if the courtship should not end in marriage, she would have compromised her reputation. She converts this restriction into a rhetorical...
Textual Features Delarivier Manley
One common element shared by DM 's writing in different genres (plays, fiction, non-fiction) is its targeted sensationalim and deliberate artistic excess. Another is its partisan political content. Swift , who approved her very generous...
Textual Features Catherine Sinclair
She had rich material to draw from because her father, John Sinclair (1754-1835), was an unusually accomplished man who was very active in public life. Most notably, he conceived and undertook the publication of The...
Textual Features Maria Callcott
Her editor Elizabeth Mavor , however, prints a late poem (which MC herself called jingling doggerel), written for a family magazine produced by some young nephews and nieces, which is anything but sapless in...
Textual Features Robert Southey
Against the trend of the times, RS aimed for historical interest rather than literary canonicity, compiling in his Specimens of the Later English Poets a collection of representative voices rather than a garland: The taste...

Timeline

No timeline events available.

Texts

No bibliographical results available.