Patricia Highsmith

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Standard Name: Highsmith, Patricia
Birth Name: Mary Patricia Plangman
Self-constructed Name: Mary Patricia Highsmith
Pseudonym: Claire Morgan
PH , writing from the mid-twentieth century, first in the USA and then in Europe and England, produced short stories and novels, the majority of them variously classifiable as thrillers or suspense fiction, a label which she disliked. Readers, however, have seen her that way. In 1988 most of her books were available in two competing paperback editions, by Heinemann and Penguin . Irony of situation of every kind is her speciality. Among a range of varied and ingenious plots, her favourite theme, as she herself recognised, is a relationship between two men. Her books were translated into many languages and adapted for films by directors in Britain, America, and Europe. European directors who have filmed adaptations of her works include Wim Wenders , René Clément , and Claude Miller .
Waterstone’s Guide to Books. Second, Waterstone and Company, 1988.
749-50
Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press, 1990.
138-9
Contemporary Authors. Gale Research, 1962–2024, Numerous volumes.
147
Contemporary Literary Criticism. Gale Research, 1973–2024, Numerous volumes.
102: 219

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Texts

Highsmith, Patricia. The Glass Cell. Doubleday, 1964.
Highsmith, Patricia. The Price of Salt. Coward-McCann, 1952.
Highsmith, Patricia. The Snail-Watcher, and Other Stories. Doubleday, 1970.
Highsmith, Patricia. The Story-Teller. Doubleday, 1965.
Highsmith, Patricia. The Talented Mr Ripley. Coward-McCann, 1955.
Highsmith, Patricia. The Tremor of Forgery. Doubleday, 1969.
Highsmith, Patricia. The Two Faces of January. Heinemann, 1964.
Highsmith, Patricia. This Sweet Sickness. Harper and Brothers, 1960.
Highsmith, Patricia. Those Who Walk Away. Doubleday, 1967.