Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
Intertextuality and Influence | Ruth Prawer Jhabvala | The film shows the play being auctioned, and bought by an Off-Broadway group who produce it in Absurdist style. While they work at it, period motifs in the plot (notably the abduction of Harriet Byron)... |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
Intertextuality and Influence | Sydney Owenson Lady Morgan | These provided the pattern for Thomas Moore
's very fashionable Irish Melodies. Campbell, Mary, 1917 - 2002. Lady Morgan: The Life and Times of Sydney Owenson. Pandora, 1988. 62 |
Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
Intertextuality and Influence | Stéphanie-Félicité de Genlis | Mary Wollstonecraft
, though she saw many virtues in this book, was not happy that Adelaide was educated to be obedient, not independent-minded: that with all her accomplishments she was ready to marry any body... |
Intertextuality and Influence | Penelope Lively | As controversy has been Henry's domain, reading has been Charlotte's. For ever, reading has been central, the necessary fix, the support system. Her life has been informed by reading. Reading has taught her how sex... |
Intertextuality and Influence | Viola Meynell | VM
moves away from theological influence here, as her prose becomes dispassionate and satiric. This novel lacks plot interest; its strength lies in its emotional texture.In a manner that has been likened to Jane Austen |
Intertextuality and Influence | Frances Sarah Hoey | Miriam finds local gossip that Florence is attempting to entrap her father ludicrous, and describes it as a comic parallel to Vanity Fair, with Florence not as Becky Sharp but as Amelia having to... |
Intertextuality and Influence | Margaret Kennedy | MK
found the inspiration for this novel in Jane Austen
's satire of gothic melodrama, Northanger Abbey. The tragic melodrama of this novel's love stories, however, brings it closer to the actual gothic tradition... |
Intertextuality and Influence | Penelope Lively | Some stories are neatly turned but may seem a little perfunctory, like Abroad, about entitled young people, or Mrs Bennet after Austen
's character, about the continuing pressure for girls to marry or for... |
Intertextuality and Influence | Emily Eden | EE
's preface explains that she first set this novel in what was then the present day: the pre-Reform-Bill, pre-railway era. She did not wish to update it in revising, so it is now set... |
Intertextuality and Influence | Margaret Kennedy | Kennedy once again found her inspiration for this novel in the model of Jane Austen
. For Troy Chimneys, she extracted parts of the letters which Austen wrote to her sister, Cassandra
. Powell, Violet. The Constant Novelist. W. Heinemann, 1983. 187 |
Intertextuality and Influence | Elizabeth Strutt | Influence of Frances Burney
's Evelina is perceptible here, and influence of Jane Austen
seems at least a possibility: a family estate is named Maple Grove, as in Emma, and the heroine's marriage to... |
Intertextuality and Influence | Dorothy Whipple | Unfortunately as published it contains almost no dates. In the early pages DW
writes a deliberately commonplace style, but often records glimpses of people or overheard conversations for possible use in fiction. She relates the... |
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