Byatt, A. S. The Game. Chatto and Windus.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus. 4 |
Intertextuality and Influence | Emma Robinson | ER
claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she... |
Intertextuality and Influence | Anna Jane Vardill | AJV
is remarkably successful in catching Coleridge
's diction and manner, as several commentators noted. Lord Leoline sat in the chair of pride, / The white-armed stranger by his side. She also captures the sinister... |
Intertextuality and Influence | Mary Russell Mitford | MRM
was working on this poem by July 1810. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 1: 91 |
Intertextuality and Influence | F. Mabel Robinson | The title-page bears a quotation from Samuel Taylor Coleridge
's Love about a fiend with the appearance of an angel beautiful and bright. Robinson, F. Mabel. The Plan of Campaign. Methuen. title-page |
Intertextuality and Influence | Felicia Hemans | The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth
, Byron
, Coleridge
, Goethe
, Schiller
—and lesser-known contemporaries including women—Elizabeth Ogilvy Benger |
Intertextuality and Influence | A. S. Byatt | She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge
scholar, Kathleen Coburn
, and thinking of the poet possessing his critic, and of the... |
Intertextuality and Influence | Mary Webb | The title recalls Coleridge
's ancient mariner, and the moment at which, unaware, he blesses the water snakes and finds himself once more able to pray: as if the transcendental, natural world has forgiven him... |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Q. D. Leavis | QDL
's thesis was influenced by various sources as well as her husband's dissertation. As Ian MacKillop
notes, her work recalls Wordsworth
's campaign against the gross and violent stimulants MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane. 140 |
Intertextuality and Influence | Oscar Wilde | The poem deals with an actual event that occurred at Reading Gaol
: the execution of a soldier, Charles Thomas Woolridge
, for wife murder. The narrator presents himself as one of the band of... |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann. 19 |
Intertextuality and Influence | Anna Letitia Barbauld | ALB
was a presence in the early poetry of Wordsworth
and Coleridge
, though they later distanced themselves from her so emphatically. Her work appeared in magazines in the USA before the end of the... |
Instructor | Mary Shelley | MS
and her half-sister Fanny are reputed to have listened as Coleridge read aloud The Rime of the Ancient Mariner, and Godwin took all the children to Coleridge
's lectures at the Royal Institution |
Health | Sara Coleridge | SC
had begun to experiment with opium (like her father
), which undoubtedly contributed to her worsening depression. Mudge, Bradford Keyes, and Sara Coleridge. Sara Coleridge, a Victorian Daughter: Her Life and Essays. Yale University Press. 37 |
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