Lamb, Lady Caroline. A New Canto. William Wright.
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Connections | Author name Sort ascending | Excerpt |
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Intertextuality and Influence | Lady Caroline Lamb | This is a rollicking, fizzing, flighty, purposely excessive poem. It parodies yet also hitches a lift on Byron
's own whimsical style. Impersonating the male poet who lambasts Our maudlin, hey-down-derrified pathetic Lamb, Lady Caroline. A New Canto. William Wright. 27 |
death | Lady Caroline Lamb | LCL
died at Melbourne House in London; she left to Sydney Morgan
her portrait of Byron
and some of his letters. Her biographer Douglass dates her death as the 25th, while the Oxford Dictionary... |
Textual Production | Lady Caroline Lamb | The British Library Catalogue lists this work under Byron
, not Lamb. She paid for its publication, and sent copies to friends and reviewing journals. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 231 |
Textual Production | Lady Caroline Lamb | LCL
read an advance copy of the early cantos of Byron
's Childe Harold, and wrote a poem expressing her wish to emulate him. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 1 |
Textual Production | Lady Caroline Lamb | An odd spin-off from LCL
's desire to make herself into a professional writer was her project for a pocket diary or almanac. These ephemeral publications were repositories of useful information of many kinds as... |
Textual Production | Lady Caroline Lamb | LCL
anonymously published A New Canto to satirize Byron
's Don Juan (of which only two cantos were so far in print). Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 299 |
Literary responses | L. E. L. | Owing in large part to an article in The Wasp on 7 October 1826, reception of LEL's work was adversely affected in some quarters by rumours that her relationship with William Jerdan
was sexual and... |
Textual Features | L. E. L. | LEL's work was more varied, particularly in the miscellaneous poetry attached to such collections prefaced by longer poems, than has been recognized. Although much of her poetry does invoke sentiment, there is also a strongly... |
Literary responses | Rudyard Kipling | RK
's reputation as a writer skyrocketed after he arrived in London in 1889. His biographer C. E. Carrington
declares that there had been nothing like his sudden rise to fame since Byron
's much-quoted... |
Textual Features | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Education | Fanny Kemble | Fanny's reading here was important to her. She later regarded her close knowledge of the Bible as the greatest benefit I derived from my school training, Kemble, Fanny. Records of a Girlhood. Henry Holt. 81 |
Textual Features | Fanny Kemble | Of the hundred lyrics and sonnets, several cover topics of romance: My soul grows faint, my veins run liquid flame, / And my bewildered spirit seems to swim / In eddying whirls of passion, dizzily... |
Intertextuality and Influence | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Intertextuality and Influence | Ellen Johnston | In contrast to the life-writings of her working-class contemporary Hannah Cullwick
, EJ
's autobiography is remarkably self-reflexive and literary. She says that an account of her life in Dundee alone, her trials, disappointments, joys... |
Education | Pauline Johnson |
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