George Gordon, sixth Baron Byron,. Don Juan. Editor Marchand, Leslie Alexis, Houghton Mifflin, http://UofARutherford.
418
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Intertextuality and Influence | Liz Lochhead | In considering the question of why Mary Shelley
created monsters, LL
says she was haunted by that phrase from Goya
: The sleep of reason produces monsters. If you try to force things to be... |
Intertextuality and Influence | Liz Lochhead | The play was written for the Royal Lyceum Theatre Company
, who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's .... |
Textual Production | Jane Loudon | The title-page bears a couplet from Byron
's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't. |
Intertextuality and Influence | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
Family and Intimate relationships | Marie Belloc Lowndes | MBL
's paternal, French grandmother, Louise Swanton Belloc
, was a children's writer, a translator, intimate friend of Stendhal and Victor Hugo
, and the author of a life of Byron
(for which Stendhal
supplied... |
Literary responses | Delarivier Manley | Later again there was affection, if not much respect, in Byron
's declaration that he disdain[ed] to write an Atalantis George Gordon, sixth Baron Byron,. Don Juan. Editor Marchand, Leslie Alexis, Houghton Mifflin, http://UofARutherford. 418 |
Education | Margaret Haig, Viscountess Rhondda | Taught by governesses until she was thirteen, Margaret Haig Thomas learned to read at about five. She was taught German and French, and she also learned Welsh as a child but did not retain it... |
Friends, Associates | Marguerite Gardiner, Countess of Blessington | In GenoaMarguerite Blessington
formed a friendship with Lord Byron
; her conversations with him over nine weeks became the basis of her most popular book. Molloy, Joseph Fitzgerald. The Most Gorgeous Lady Blessington. Downey. 68 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 148 |
Publishing | Marguerite Gardiner, Countess of Blessington | A Journal of the Conversations of Lord Byron
with the Countess of Blessington appeared in the New Monthly Magazine. Molloy, Joseph Fitzgerald. The Most Gorgeous Lady Blessington. Downey. 219 |
Textual Production | Marguerite Gardiner, Countess of Blessington | Conversations of Lord Byron
with the Countess of Blessington appeared in volume form. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 3 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 149 |
Author summary | Marguerite Gardiner, Countess of Blessington | Marguerite Blessington
wrote non-fiction, poetry, and novels, many of them in the silver-fork category. Although she was a popular novelist in her day, well reviewed and respected by a number of other writers, her account... |
Textual Production | Marguerite Gardiner, Countess of Blessington | When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall
rejected the topics she proposed, and suggested that she should write on Byron
. She based her work on... |
Textual Production | Marguerite Gardiner, Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 7 |
Theme or Topic Treated in Text | Marguerite Gardiner, Countess of Blessington | The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the... |
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