The Critical Review found this one romantic but plausible, with well supported characters, virtuous sentiments, and situations extremely interesting to the tenderest feelings of the heart.William Enfield
in the Monthly agreed with a good...
Literary responses
Elizabeth Sophia Tomlins
William Enfield
in the Monthly Review praised the novel only faintly, although he admitted that the story was well told.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
1: 576
Literary responses
Eliza Parsons
The Critical Review sounded somewhat divided in its judgement. It commended this work's general good sense and tendency, and found the incidents, in the first volume at any rate, probable, interesting, and affecting, and interspersed...
Textual Features
Anna Letitia Barbauld
ALB
's first hymn presents the world, as God creates and adorns it and pronounces it good, as a female body.
She is also alert to female precedents. Her Verses on Mrs Rowe recall...
Textual Features
Anna Letitia Barbauld
This issue was a continuing interest of Barbauld's. She had contributed five hymns, anonymously, to William Enfield
's Hymns for Public Worship (published at Warrington in 1772),
McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008.
107n30
and had made manuscript notes in the...
Textual Production
Anna Letitia Barbauld
In summer 1789 she wrote a poem of complex feeling, An Epistle to Dr Enfield, which she said he was to throw into the Mersey on a farewell visit to Warrington. It too...
Textual Production
Anna Letitia Barbauld
ALB
collected and edited an anthology entitled The Female Speaker: she acknowledged the example of the popular The Speaker, edited by her friend William Enfield
(which dated from 1774 and had quoted her...