Duquette, Natasha Aleksiuk. Veiled Intent: Dissenting Women’s Approach to Biblical Interpretation. Pickwick Publications.
49-50
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Eliza Parsons | William Enfield
wrote in the Monthly Review that this book must stand or fall by its moral merit. He found the first volume better than the second, and the language natural, but never elegant and... |
Literary responses | Lady Mary Walker | This time the Critical Review seems not to have recognised the same hand in this narrative, with several letters interspersed as in LMW
's earlier works. While it approved the characters, the knowledge exhibited, and... |
Literary responses | Eliza Parsons | The Critical Review found this one romantic but plausible, with well supported characters, virtuous sentiments, and situations extremely interesting to the tenderest feelings of the heart.William Enfield
in the Monthly agreed with a good... |
Textual Features | Anna Letitia Barbauld | ALB
's first hymn presents the world, as God creates and adorns it and pronounces it good, as a female body. Duquette, Natasha Aleksiuk. Veiled Intent: Dissenting Women’s Approach to Biblical Interpretation. Pickwick Publications. 49-50 |
Textual Features | Anna Letitia Barbauld | This issue was a continuing interest of Barbauld's. She had contributed five hymns, anonymously, to William Enfield
's Hymns for Public Worship (published at Warrington in 1772), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 107n30 |
Textual Production | Anna Letitia Barbauld | ALB
collected and edited an anthology entitled The Female Speaker: she acknowledged the example of the popular The Speaker, edited by her friend William Enfield
(which dated from 1774 and had quoted her... |
Textual Production | Anna Letitia Barbauld | In summer 1789 she wrote a poem of complex feeling, An Epistle to Dr Enfield, which she said he was to throw into the Mersey on a farewell visit to Warrington. It too... |
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