Charles Dickens
-
Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Friends, Associates | George Sand | Charles Dickens
met GS
; he declared in a letter that she had [n]othing of the blue-stocking about her. Jordan, Ruth. George Sand: A Biographical Portrait. Taplinger, 1976. 294-5 |
Textual Features | Dorothy L. Sayers | Here she mounts a powerful appreciation of the novel, both for its importance in the development of the detective story (all the clues, she says, are clearly conveyed to the reader, something which seldom happened... |
Textual Production | Evelyn Sharp | In a prefatory note ES
explains that the experiences used in the book, including the six story-sketches, are all based on actuality: she credits Dickens
with purveying a better understanding of children than modern psychologists... |
Residence | Gillian Slovo | Her grandmother and elder sister travelled separately; her father, already in England, had been waiting on tenterhooks for their arrival. GS
saw England through the old-world lens of Charles Dickens
and Jane Austen; Slovo, Gillian. Every Secret Thing: My Family, My Country. Little, Brown, 1997. 103 |
Intertextuality and Influence | Ali Smith | The book's narrator is an unnamed, ungendered arborist in mourning for his or her unnamed, ungendered partner, a literary academic whose spectre lingers about the book both figuratively, in the form of unfinished lectures, and... |
Textual Features | Zadie Smith | Her subjects include George Eliot
's Middlemarch, Zora Neale Hurston
, Franz Kafka
, Vonnegut
and Salinger
as cult figures, Roland Barthes
and Vladimir Nabokov
(pitted against each other as attacker and booster of... |
Wealth and Poverty | Charlotte Smith | Poverty even forced her to sell her books: a thousand volumes, in English and French (partly, perhaps, to prevent their falling into her husband's hands). After his death she received some income from the estate... |
Intertextuality and Influence | Ali Smith | In the capacity of the Weidenfeld Visiting Professor, AS
delivered four lectures to students of European Comparative Literature at St Anne's College, Oxford
. Considering her stated dislike of lecturing from her days at Strathclyde |
Intertextuality and Influence | Harriet Smythies | This opens on Christmas Eve, with London under snow, looking like the great sinner that she is, doing penance, as she ought to do, in a white sheet, Smythies, Harriet. Left to Themselves. Hurst and Blackett, 1863, 3 vols. 1: 3 |
Literary responses | Anna Steele | In a lengthy review the Times noted that while Gardenhurst had many faults typical of first novels (citing other examples from Sir Walter Scott
, George Eliot
, and Charles Dickens
), it nonetheless has... |
Travel | Harriet Beecher Stowe | She was received by Dickens
, Lady Byron
, Anna Jameson
, the Lord Mayor of London, and various members of the nobility. Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press, 1994. 233, 234 Adams, John R. Harriet Beecher Stowe. Twayne, 1989. 44-5 |
Textual Production | Harriet Beecher Stowe | Though HBS
was internationally recognized for her written works she was not, unlike many other contemporary literary figures, a frequent lecturer. While Dickens
, Samuel Clemens
(who published as Mark Twain), Julia Ward Howe
... |
Publishing | Hesba Stretton | |
Publishing | Hesba Stretton | Though he did not accept all of her contributions, Dickens
was very encouraging of Stretton's writing. In 1859, the year of her first writing for him, he asked her to contribute to the first Christmas... |
Publishing | Hesba Stretton | From HS
's detailed Log Books, the scholar Jacqueline S. Bratton
has managed to reconstruct much of her early years of journalism. Bratton says these typify relations between mid-century magazines and obscure writers. Bratton, Jacqueline S. “Hesba Stretton’s Journalism”. Victorian Periodicals Review, Vol. 12 , 1979, pp. 60-70. 60 |
Timeline
No timeline events available.
Texts
No bibliographical results available.