Lubaina Himid

MS 's second poetry volume, Zabat: Poetics of a Family Tree, dedicated to her partner Lubaina Himid , was published to coincide with her photography exhibition of the same name at the Rochdale Gallery , London.

Contributor notes accompanying one of MS 's stories explained the identity of her partner, Lubaina Himid , as a Black woman artist (born in Zanzibar).

This controversial exhibition, selected by Black artist Lubaina Himid , featured the work of Black women artists particularly concerned with the politics and realities of being Black Women. The work of the these 11...

The exhibition was a large one. The first section, entitled Media Plays, (1984-88), critiques the ways in which Black people are represented in Western media and features enlarged newspaper photographs of Black athlete Ben Johnson

Sulter and her partner Lubaina Himid were co-curators and directors of The Elbow Room , an independent gallery in London where the works of artists from around the world were exhibited. The main focus of...

The forty-page catalogue of the exhibition is listed as a collaboration between MS , Lubaina Himid , and Martin Barlow ; she and Himid have collaborated on other ventures as well.

MS wrote and co-wrote many catalogues for art and photography exhibitions. One written with Lubaina Himid entitled New Robes for MaShulan: A Room for MaShulan was for their joint exhibition in 1987. She prepared further...

Noting that Black women in Britain need their own press, MS urged that they continue to challenge the existing feminist presses, continue to write, and continue to force British society to acknowledge the permanent and...

MS travelled extensively, seeking out Black women artists in Holland, Scotland, Rome (with Claudette Johnson ), Northern Ireland (with Ingrid Pollard ), and the Gambia. She also visited Venice, the Schomberg Museum