The London Stage 1660-1800. Southern Illinois University Press.
5: 1350
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Barbara Hofland | The title page quotes Congreve
. The story of Charles Benfield's early life and courtship precedes his death, which leaves his widowed Maria to bring up five children, feeling abject and paralysed (characteristics which become... |
Textual Features | Margaret Holford | The prologue maintains that good men are still there to be found; the epilogue says wit is extinct in the male line and survives in ladies only. The play has an old-fashioned flavour of Congreve |
Reception | Elizabeth Inchbald | EI
's two-act farce The Hue and Cry appeared as an afterpiece to Congreve
's Love for Love in 1791, but was never performed again. The London Stage 1660-1800. Southern Illinois University Press. 5: 1350 |
Intertextuality and Influence | E. B. C. Jones | This is a story of the difficult or tormented love-affairs of sensitive young people trying to construct their new and modern world. (Intellectually, they seek to reach back past the nineteenth century towards the eighteenth... |
Education | Mary Lamb | ML
was sometimes taken to the theatre as a child, which she loved. The first play she ever saw was Congreve
's tragedy The Mourning Bride, with a Harlequin pantomime to follow. She once... |
Health | Mary Lamb | Another followed an upsetting review of Charles's Specimens in the Quarterly in February 1812, another on her completing her own On Needle-Work in December 1814-February 1815, and another, unusually, only six months later. Burton, Sarah. A Double Life: A Biography of Charles and Mary Lamb. Viking. 265-6, 276-83 |
Occupation | Charlotte Lennox | |
Occupation | Charlotte Lennox | This seems to have been the first of her few and scattered stage appearances. She played at Richmond in 1748 and at the Little Theatre, Haymarket
, as Almeria, heroine of Congreve
's The Mourning... |
Theme or Topic Treated in Text | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Textual Production | Charlotte McCarthy | The title-page has a couplet from Congreve
about the reward of virtue. |
Friends, Associates | Lady Mary Wortley Montagu | Lady Mary claimed that at every stage of her life she picked a few intimate friends and cared little for the opinions of anyone else. She always retained the highest opinion of her father's and... |
Textual Production | Lady Mary Wortley Montagu | Throughout the 1720 LMWM
regularly responded in poetry to events in her social circle. She wrote on an alleged incident of attempted rape; on the deaths of the Duke of Marlborough
, William Congreve
... |
Friends, Associates | Mary Pix | MP
's wide circle of friends included her fellow female playwrights Delarivier Manley
, Catharine Trotter
, and Susanna Centlivre
, as well as the poet Sarah Fyge
and actresses Elizabeth Barry
and Susannah Verbruggen |
Textual Production | Mary Pix | It was published the same year. The London Stage 1660-1800. Southern Illinois University Press. 2: 93 McKenzie, Donald Francis. “A New Congreve Literary Autograph”. Bodleian Library Record, Vol. xv , No. 4, pp. 292-9. 297 |
Literary responses | Mary Pix | MP
, again with Trotter
, was attacked in Animadversions on Mr. Congreve
's Late Answer to Mr. Collier, probably by George Powell
. Greer, Germaine et al., editors. Kissing the Rod. Virago. 413 |
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