William Congreve

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Standard Name: Congreve, William

Connections

Connections Author name Sort descending Excerpt
Intertextuality and Influence Barbara Hofland
The title page quotes Congreve . The story of Charles Benfield's early life and courtship precedes his death, which leaves his widowed Maria to bring up five children, feeling abject and paralysed (characteristics which become...
Textual Features Margaret Holford
The prologue maintains that good men are still there to be found; the epilogue says wit is extinct in the male line and survives in ladies only. The play has an old-fashioned flavour of Congreve
Reception Elizabeth Inchbald
EI 's two-act farce The Hue and Cry appeared as an afterpiece to Congreve 's Love for Love in 1791, but was never performed again.
The London Stage 1660-1800. Southern Illinois University Press.
5: 1350
Intertextuality and Influence E. B. C. Jones
This is a story of the difficult or tormented love-affairs of sensitive young people trying to construct their new and modern world. (Intellectually, they seek to reach back past the nineteenth century towards the eighteenth...
Education Mary Lamb
ML was sometimes taken to the theatre as a child, which she loved. The first play she ever saw was Congreve 's tragedy The Mourning Bride, with a Harlequin pantomime to follow. She once...
Health Mary Lamb
Another followed an upsetting review of Charles's Specimens in the Quarterly in February 1812, another on her completing her own On Needle-Work in December 1814-February 1815, and another, unusually, only six months later.
Burton, Sarah. A Double Life: A Biography of Charles and Mary Lamb. Viking.
265-6, 276-83
Occupation Charlotte Lennox
CL acted Almeria in Congreve 's The Mourning Bride at the Haymarket ; the performance was a benefit night for her.
The London Stage 1660-1800. Southern Illinois University Press.
4: 177
Occupation Charlotte Lennox
This seems to have been the first of her few and scattered stage appearances. She played at Richmond in 1748 and at the Little Theatre, Haymarket , as Almeria, heroine of Congreve 's The Mourning...
Theme or Topic Treated in Text Alethea Lewis
She heads her novel with a prefatory letter to the Rev. William Johnstone , who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities...
Textual Production Charlotte McCarthy
The title-page has a couplet from Congreve about the reward of virtue.
Friends, Associates Lady Mary Wortley Montagu
Lady Mary claimed that at every stage of her life she picked a few intimate friends and cared little for the opinions of anyone else. She always retained the highest opinion of her father's and...
Textual Production Lady Mary Wortley Montagu
Throughout the 1720 LMWM regularly responded in poetry to events in her social circle. She wrote on an alleged incident of attempted rape; on the deaths of the Duke of Marlborough , William Congreve ...
Friends, Associates Mary Pix
MP 's wide circle of friends included her fellow female playwrights Delarivier Manley , Catharine Trotter , and Susanna Centlivre , as well as the poet Sarah Fyge and actresses Elizabeth Barry and Susannah Verbruggen
Textual Production Mary Pix
It was published the same year.
The London Stage 1660-1800. Southern Illinois University Press.
2: 93
The British Library copy (841 e. 6) bears a contemporary note of MP 's name. The prologue (probably by Congreve , though given anonymously)
McKenzie, Donald Francis. “A New Congreve Literary Autograph”. Bodleian Library Record, Vol.
xv
, No. 4, pp. 292-9.
297
implies that...
Literary responses Mary Pix
MP , again with Trotter , was attacked in Animadversions on Mr. Congreve 's Late Answer to Mr. Collier, probably by George Powell .
Greer, Germaine et al., editors. Kissing the Rod. Virago.
413

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