Elizabeth Gaskell

-
Standard Name: Gaskell, Elizabeth
Birth Name: Elizabeth Cleghorn Stevenson
Nickname: Lily
Married Name: Elizabeth Gaskell
Indexed Name: Elizabeth Cleghorn Gaskell
Pseudonym: Cotton Mather Mills
Pseudonym: The Author of Mary Barton etc.
Self-constructed Name: E. C. Gaskell
Elizabeth Gaskell , one of the foremost fiction-writers of the mid-Victorian period, produced a corpus of seven novels, numerous short stories, and a controversial biography of Charlotte Brontë . She wrote extensively for periodicals, as well as producing novels directly for the book market, often on issues of burning interest: her industrial novels appeared in the midst of fierce debate over class relations, factory conditions and legislation; Ruth took a fallen woman and mother as its protagonist just as middle-class feminist critique of gender roles emerged. Gaskell occupies a bridging position between Harriet Martineau and George Eliot in the development of the domestic novel.
Photograph of a well-known head-and shoulders drawing of Elizabeth Gaskell by George Richmond, 1851. She looks calmly at the viewer, her smooth hair parted in the middle, with a ribbon or scarf hanging from her head and a bow at her neckline. She thought the drawing on the whole a good likeness. National Portrait Gallery.

Connections

Connections Author name Excerpt
Intertextuality and Influence Annie Keary
She took as implicit motto for all her own writings the words from Thomas Carlyle 's Biography (on the foolishness of both writer and subject) with which Elizabeth Gaskell prefaced Mary Barton.
Keary, Eliza. Memoir of Annie Keary. Macmillan.
196
Intertextuality and Influence Emily Gerard
The book deals with the usual topics of travel writing: history, tradition, peasant life, and scenery, with a lucid exposition of the politics of the region.
Gerard, Emily. The Land Beyond the Forest. W. Blackwood and Sons.
1: 21ff
It includes attractive personal reminiscence. EG 's...
Intertextuality and Influence Harriet Martineau
The novel prompted a complimentary letter on 7 November 1849 from Currer Bell (Charlotte Brontë ) saying that in it he tasted a new and keen pleasure, and experienced a genuine benefit. In his...
Intertextuality and Influence Susan Hill
The story is set in the imaginary, sheltered village of Haverstock, which might be seen as a descendant of Elizabeth Gaskell 's Cranford. It opens with the funeral of an unmarried woman who has two...
Intertextuality and Influence Jane West
This work had the unusual distinction of earning approving comments from both Austen and Wollstonecraft . The contrasted sisters are generally seen as an important source for Austen 's Sense and Sensibility, and the...
Literary responses George Eliot
On the whole reviewers were enthusiastic (E. S. Dallas began his notice in the Times, George Eliot is as great as ever
Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble.
131
), but the ending of The Mill on the Floss...
Literary responses Dinah Mulock Craik
Some felt she wrote too much too fast. Elizabeth Gaskell commented in a letter of 1851, I wish she had some other means of support than writing, which must be pumped up instead of bubbling...
Literary responses Christina Rossetti
Gabriel anticipated critics when he described Commonplace as a prose tale . . . rather in the Austen vein.
Rossetti, Dante Gabriel. Letters of Dante Gabriel Rossetti. Editors Doughty, Oswald and John Robert Wahl, Clarendon Press.
2: 818
Contrasting Commonplace, and Other Short Stories with tawdry romance,
Athenæum. J. Lection.
2223 (1870): 734
the...
Literary responses J. K. Rowling
Of course nobody could review this book without implicit or explicit reference to the Harry Potter books. What, some wondered, would devoted child readers make of the sex and swearing? The novel violently divided commentators...
Literary responses Emily Brontë
Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson published...
Literary responses Flora Thompson
The Country Life reviewer wrote that the trilogy would take a permanent place in English letters for both its individual and social significance.
Lindsay, Gillian. Flora Thompson: The Story of the Lark Rise Writer. Hale.
163
Historian Sir Arthur Bryant put it on a level with Gaskell
Literary responses Florence Nightingale
Edward Cook and William John Bishop agree that although Notes is FN 's least read work, it is her most remarkable.
Cook, Edward. The Life of Florence Nightingale. Macmillan.
343
Bishop, William John, and Sue Goldie. A Bio-Bibliography of Florence Nightingale. Dawsons for the International Council of Nurses.
52
On 31 December 1858Elizabeth Gaskell said of the second volume:...
Literary responses Margaret Sandbach
Writing for the Athenæum, Elizabeth Gaskell was convinced the author was a woman because the person who would call a horse a pleasure-giving thing, and talk so fluently of imaginings and questionings...
Literary responses Frances Hodgson Burnett
The American reviews were highly flattering. The reviewer for the Boston Transcript could think of no more powerful work from a woman's hand in the English language, not even George Eliot at her best.
Gerzina, Gretchen. Frances Hodgson Burnett. Chatto and Windus.
67
Literary responses Anthony Trollope
AT 's reputation grew steadily over the appearance of these novels. Elizabeth Gaskell wrote: I wish Mr. Trollope would go on writing Framley Parsonage for ever.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.

Timeline

No timeline events available.

Texts

No bibliographical results available.