Madeleine de Scudéry

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Standard Name: Scudéry, Madeleine de
Birth Name: Madeleine de Scudéry
Pseudonym: Monsieur de Scudéry
Used Form: Madeleine de Scudery
MS is the most famous of the seventeenth-century French authors of heroic romances: fictions of great length, which centred on the lives, loves, and philosophical disquisitions of aristocratic characters. She also wrote poetry and letters.

Connections

Connections Author name Sort descending Excerpt
Textual Features Charlotte Lennox
The Female Quixote a complex generic hybrid. It is a romance (Arabella is more beautiful and more intelligent than any other woman in the story; male characters can be judged by the degree and kind...
Intertextuality and Influence Charlotte Lennox
Arabella is a reading heroine. Brought up on her dead mother's collection of French romances, she has been savouring a universal power over men, which exists only in her imagination. For this reason she scorns...
Intertextuality and Influence Damaris Masham
Her letters to Locke begin under the sign of romance, with the choice of a pseudonym probably taken from Sir Philip Sidney 's Arcadia and an allusion (turning on the behaviour of people in love)...
Literary Setting Hope Mirrlees
HM sets her narrative during a period of female learning and literary productivity in seventeenth-century France. Madeleine Toqueville, a young girl, moves with her parents from their provincial home to Paris, where Madeleine's erotic...
Literary responses Hope Mirrlees
Julia Briggs reads the text as a roman à clef in which Scudéry is an unflattering portrait of Natalie Barney (whom HM would have encountered when herself living in Paris) while Harrison appears as the...
Intertextuality and Influence Lady Mary Wortley Montagu
They include a novel in five letters (Indamora to Lindamira), a verse-and-prose romance (The Adventurer), and poems in various pastoral and classical modes—epistles, lyrics, etc. The novel gives a voice to...
Theme or Topic Treated in Text Judith Sargent Murray
She backs this pleasure in modernity with a remarkable grasp of former female history and of the women's literary tradition in English and its contexts. She mentions the Greek foremother Sappho , the patriotic heroism...
Intertextuality and Influence Sarah Murray
This volume opens with The Plan of a School, and then, continuing a story-line from volume one, with Mrs Wheatley's demanding of Miss Le Maine how she can use rouge and plume herself on...
Intertextuality and Influence Julia O'Faolain
The topics covered in richly informative detail, far too many to enumerate, include a father's life-or-death rights over his offspring in ancient Greece, while such topics as buying and selling sex, or the relation...
Intertextuality and Influence Mary Pix
Belinda (a reader of Scudéry who has adopted a romance name) flees her home in resistance against an arranged marriage, and meets Sir Charles, a younger son who has gone through with an arranged marriage...
Intertextuality and Influence Jane Porter
JP 's original introduction (to which she later added further memories of colourful Scots characters from her childhood in Edinburgh) mentions exhaustive consultation of historians, and makes no direct allusion to the verse romance...
Intertextuality and Influence Lady Hester Pulter
In the same volume as her poems, LHP 's scribe copied the first part of The Unfortunate Florinda. Pulter herself made some corrections, and her unfinished draft of the second part, on loose sheets...
Intertextuality and Influence Sappho
Sappho has inspired many original English poems, including John Lyly 's Sapho and Phao [sic], 1584; Alexander Pope 's Sapho to Phaon, 1712, and Eloisa to Abelard, 1717; and Mary Robinson 's...
Friends, Associates Marie de Sévigné
Her close friends included the fiction-writers Madeleine de Scudéry and Marie-Madeleine de Lafayette (both of whom created literary portraits of her) and the royal mistress, Madame de Maintenon .
Williams, Charles G. S. Madame de Sévigné. Twayne.
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Intertextuality and Influence Susan Smythies
The novel offers in passing an amusing catalogue of an old-fashioned library, whose first items are heroic romances like Ibraham; Cassandra; Cleopatra [by Madeleine de Scudéry and Gauthier de La Calprenède ]. Several...

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