Adelaide Procter

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Standard Name: Procter, Adelaide
Birth Name: Adelaide Anne Procter
Indexed Name: Adelaide Procter
Pseudonym: Mary Berwick
AP 's poetry, which appeared almost exclusively in Household Words and All the Year Round, was among the most popular of the Victorian era. An active mid-Victorian feminist, she was a member of the Langham Place Circle and supporter of the Victoria Press , for which she edited the showcase annual The Victoria Regia as well as contributing journalism and poetry to the English Woman's Journal. A convert to Catholicism, much of whose oeuvre is religious poetry (at times put to the service of social protest), she was allegedly the favourite writer of the Queen and certainly one of the best-selling poets of her day. She died young, leaving only three short collections of her poetry.
Black and white photograph of a painting of Adelaide Procter by Emma Gaggiotti Richards. She is wearing a simple dark dress with long, wide sleeves, and decorative red tassels hanging down the front and back, which are connected by a rope that sits around her shoulders. Her smooth dark hair is pulled back into a simple bun. The painting has a simple dark background, which blends out to reveal unpainted board at the edges. National Portrait Gallery.

Connections

Connections Author name Excerpt
Anthologization Anne Ogle
As Ashford Owen, AO contributed An Old Woman's Story to Adelaide Procter 's Victoria Regia.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.

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