Haywood, Eliza. Life’s Progress Through the Passions. Garland Publishing, http://HSS.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Eliza Haywood | In her introduction EH
, anonymously, says she is opposed to romances, novels, and whatever carries the air of them. Haywood, Eliza. Life’s Progress Through the Passions. Garland Publishing, http://HSS. 3 |
Textual Features | Harriet Smythies | HS
's two villains are in truth fairly familiar, as are her two heroes, Henry Fitzherbert and Edgar Aubrey, and her two heroines, Camilla St Clair and Emily Harland. Fitzherbert takes most of the narrative... |
Textual Production | Anne Marsh | |
Textual Production | Julia Frankau | |
Textual Production | Elizabeth Gilding | Her title was To the Gentleman, who under the signature Etonensis, addressed some fine poetic lines, containing a very genteel compliment to Mrs. T—r, of Woolwich. Cumbre had identified himself through this pseudonym, Etoniensis... |
Textual Production | Henry Green | HG
published the first of his nine novels, Blindness, about a student who loses his sight; it was based on a story he had written while still at Eton
. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press. 290 Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press. 237 |
Textual Production | Anne Thackeray Ritchie | Most of ATR
's unpublished manuscripts and letters are held by the University of London
and Eton College
libraries. Bloom, Abigail Burnham, editor. Nineteenth-Century British Women Writers. Greenwood Press. 333 |
Textual Production | Susan Hill | SH
has successfully self-published, and makes extensive use of new media. She is active as both a blogger and a tweeter. In 2013 both Printer's Devil Court, her latest ghost story, and Crystal... |
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