Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers.
349
Connections Sort ascending | Author name | Excerpt |
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Textual Features | John Betjeman | Critic Ian Sansom
notes the preference this poetry evinces for familiarity and tradition. He singles out for mention the opening poem, Death in Leamington (about the bleakness of a woman's death in lonely, genteel poverty),... |
Textual Features | Georgiana Fullerton | GF
is still struggling here with the relative merits of fiction and biography. Her preface puts forward the idea that when a biography is able to present its readers with a reflection of their own... |
Textual Features | Charlotte Elizabeth Tonna | The protagonist of The Deserter is a young Irish soldier in the British army. When he deserts (having got into bad company) he is arrested and re-possessed by the army. Serving in India, he... |
Textual Features | Charlotte Lennox | A spirited female narrator (who resembles CL
herself in much though not all of her experience) tells the story of her past life to a dear friend. Harriot is an intellectual heroine, a keen reader... |
Textual Features | Mary Augusta Ward | This book is a sympathetic defence of Italy (to which it is dedicated) and the fruits of the Risorgimento against those who seemed to MAWungenerous and unjust towards the struggling Italian State. Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers. 349 |
Textual Features | Charlotte Elizabeth Tonna | Yet often the political critique runs counter to the novel's religous concerns. Indeed, even as it attacks the outrageous conditions of the industrial poor, the novel seems to welcome the moral scourge they provide, as... |
Textual Features | Elizabeth B. Lester | There follows a series of six stories under the general title A Sketch from the Parlour of my Inn, three of which open with quotations from William Wordsworth
. The final story in this... |
Textual Features | May Crommelin | The book is headed with romantic lines from Thomas Davies [sic]
about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy. Crommelin, May. Orange Lily. Ullans Press. 1 |
Textual Features | Catherine Sinclair | In Lady Mary Pierrepoint the title character is a Protestant whose virago widowed mother-in-law (Lady Pierrepont) intends to disinherit her son Sir Cosmo (Mary's husband) and leave her lands to the Roman Catholic Church
... |
Textual Features | Evelyn Underhill | The Lost Word draws on but warps the conventions of aestheticism. Catherine Alstone's passion for art is not inflected by practical concerns, but neither is it art for artisticness that I want . .... |
Textual Features | Monica Furlong | MF
's contributors here, both men and women, look back at childhoods in which belief and observance were integral parts. They include those whose remembered experience was gleaned within different faiths: Anglican
, Roman Catholic |
Textual Features | Sylvia Townsend Warner | |
Textual Features | Zoë Fairbairns | The nurse of the title is Marie Louise Habets
, who had been a nun for seventeen years, but had left her religious Order before she met the US Protestant Kathryn Hulme
when both were... |
Textual Features | Marjorie Bowen | Early in the story two young men, Dirk and Thierry, decide to study the dark arts. After they put a curse on a fellow-student they are accused of witchcraft and their apparatus discovered, but they... |
Textual Features | Lucas Malet | The wife, Jessie Enderby, is much younger than the middle-aged colonel. She is presented (by a male narrator who sees himself as a social historian and social critic) not as the passive victim of a... |
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