Delarivier Manley
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secret history, romance autobiography, and political polemic. She was proud of being first in the field on the Tory side during the pamphlet wars of Queen Anne's reign. As critic
remarks, her writing identity was shaped by the new concept of print culture as an industry, an employer of labour.
was a pioneer in many fields: poetry, drama, journalism, and fiction, and the genres with which the fiction of her period interlocked: letters, soft pornography, satire, - BirthName: Delarivier Manley
- Nickname: Dela
- Married: ManleyMary (from confusion with a sister who died quite young, and from the rarity of her actual Christian name). Reference sources have not kept up with research. In 2017 EEBO (Early English Books Online) lists her as Mrs. Manley, ECCO (Eighteenth Century Collections Online) as Delariviere Manley and the British Library Catalogue as Mary de la Rivière Manley. There is no basis whatever for calling her Mary; but the practice is almost impossible to kill. signed Delarivier, De la riviere, etc., and Dela.married a cousin, so her birth and married names are the same. Early scholarship on her called her
- Pseudonyms: Melpomene; Thalia; Delia; The Translator of the New Atalantis; Rivella
- Indexed: Mary de la Riviere Manley; Mary Delarivier ManleyThis form of's name, assigned her in error, has entered catalogues from which it seems impossible to expunge it.This form, a compromise between historical correctness and earlier-twentieth-century error, is used (for instance) on the cover of Rivella—whose title-page, however, gives 's name correctly.'s 1999 edition of