Augusta Gregory

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Augusta Gregory was a highly energetic and creative force in the Irish Literary Revival, which began in the late nineteenth century. Material from her collections and translations of Irish folklore, epics, and oral poetry inspired new literary works by herself and others. At the age of fifty, she began writing plays for the Abbey Theatre , which she co-founded and co-directed. Her skill at rendering idiomatic conversation, honed through years of listening to the stories told to her by country people in county Galway, is evident throughout her writing. In addition to her drama and folklore, Lady Gregory wrote several articles on Irish politics and culture, two memoirs, a history of the Abbey Theatre, diaries, and an autobiography. As a nationalist with an identity grounded in the ruling class, she can be seen as a colonialist reformer.

Milestones

15 March 1852

Isabella Augusta Persse (later AG ) was born just after midnight in Roxborough House, near Loughrea in Galway, Ireland.
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
xiii
Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum.
8

23 September 1882

After a trip to Egypt with her husband , AG published an article in the Times, Arabi and His Household, supporting the Egyptian nationalist Arabi Bey .
Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum.
63

2 April 1902

Cathleen Ni Houlihan, a one-act play co-authored by AG and W. B. Yeats , was first performed by the Irish National Dramatic Company at St Teresa's Hall, Dublin, with Maud Gonne in the title role.
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
xxxi, 534
Murphy, James H. “Broken Glass and Batoned Crowds: <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Cathleen Ni Houlihan</span> and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan O’Day, Routledge, pp. 113-27.
113

27 December 1904

AG 's popular comedy about village gossip, Spreading the News, was performed alongside Yeats 's On Baile's Strand and their co-written Cathleen Ni Houlihan for the opening of the Abbey Theatre in Dublin.
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
xvii

By July 1928

Knowing she had not long to live, AG published Three Last Plays, a volume which included The Would-Be Gentleman (adapted from Molière ), Sancho's Master (from Don Quixote by Cervantes ), and her last play, Dave.
Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum.
285
Mikhail, Edward Halim. Lady Gregory: An Annotated Bibliography of Criticism. Whitston.
29

After 25 January 1930

Near the end of her life, AG published (as Lady Gregory) My First Play, nearly thirty years after its composition, with an introduction explaining the circumstances of its publication.
Gregory, Augusta. My First Play. Elkin Mathews and Marrot.
prelims, 1-2

22 May 1932

AG died of the breast cancer which had dogged her for nine years.
Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum.
302

Biography

Birth and Family

15 March 1852

Isabella Augusta Persse (later AG ) was born just after midnight in Roxborough House, near Loughrea in Galway, Ireland.
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
xiii
Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum.
8