Sappho

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Standard Name: Sappho
Birth Name: Sappho
Used Form: Sapho
Sappho , the female poet who stands at the head of the lyric tradition in Europe, has been a major figure of identification, of desire, of influence, of adulation, and of opprobrium in British women's writing, though little remains of her texts. All of her estimated 12,000 lines of verse has been lost except a handful of complete poems and many fragments, either quotations of her work by other writers, or scraps deciphered from papyri used to wrap mummies in ancient Egypt. This mutilated body of work amounts to somewhere around seven hundred intelligible lines.

Connections

Connections Author name Sort ascending Excerpt
Textual Features Natalie Clifford Barney
In L'amour défenduNCB defends the proposition that only love is important, not the sex to whom it is directed.
Barney, Natalie Clifford, and Karla Jay. A Perilous Advantage: The Best of Natalie Clifford Barney. Translator Anna Livia, New Victoria Publishers.
85
She argues that every person possesses both masculine and feminine principles: We should not...
Intertextuality and Influence Jane Barker
JB writes to one male friend (my Adopted Brother) on his approaching marriage, not to congratulate but to dissuade.
Barker, Jane. Poetical Recreations. Benjamin Crayle.
11
She reflects her intimate knowledge of the work of Katherine Philips and Abraham Cowley
Textual Features Jane Barker
JB makes a pretence that the main story, the on-again off-again love of Bosvil and Galesia, is related by Galesia, in the garden at St Germain in about 1688, to someone called Lucasia (a name...
Textual Features Barbarina Brand, Baroness Dacre
An epilogue by Thomas Moore sounds flippantly critical of Bluestockings (not the historical group of this name, but in the more general sense of intellectual women). A speaker appears wondering much what little knavish sprite...
Textual Production Mary Bailey
She was mistaken in believing this to be a first: several translations had appeared, often together with the surviving poems of Sappho and occasionally with other poets as well, as in the version by Thomas Stanley
Reception Anna Akhmatova
AA arrived at Oxford for the conferring of a D.Litt. degree (at the instigation in part of Isaiah Berlin ); at the ceremony she was called the the Russian Sappho.
Feinstein, Elaine. Anna of all the Russias: The Life of Anna Akhmatova. Weidenfeld and Nicolson.
272
Haight, Amanda. Anna Akhmatova : A Poetic Pilgrimage. Oxford University Press.
189

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