Greenhalgh, Susanne. “A Review of Post-War British Drama: Looking Back in Gender by Michelene Wandor”. Contemporary Theatre Review, No. 1, pp. 125 - 6.
125
Mark Ravenhill
Standard Name: Ravenhill, Mark
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Dedications | Sarah Kane | Kane used this pseudonym to conceal her identity, first at a lunchtime reading and then at the Traverse Theatre, in an attempt to cast off her reputation for obscenity and violence. The programme included a... |
| Literary responses | Sarah Kane | Meanwhile fellow-playwright Mark Ravenhill
, having initially concluded from the reviews that this was a bad play, was astonished at reading the first few lines and knowing that I was in the hands of a... |
| Literary responses | Michelene Wandor | Susanne Greenhalgh
faulted the revised Post-War British Drama for being explicitly gendered and highly selective, |
| Theme or Topic Treated in Text | Michelene Wandor | In its original form, says Greenhalgh, this book reflects MW
's roles as playwright, reviewer, and Leavisite
student of English literature. Greenhalgh, Susanne. “A Review of Post-War British Drama: Looking Back in Gender by Michelene Wandor”. Contemporary Theatre Review, No. 1, pp. 125 - 6. 125 |
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