Marie-Jeanne Riccoboni

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Standard Name: Riccoboni, Marie-Jeanne

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke 's translation from Marie-Jeanne Riccoboni ).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown, 1819.
3: 95
Intertextuality and Influence Amelia Bristow
The Maniac deals with the effects of the Irish Rebellion. The narrator, Albert, has gone mad after returning home to find his house sacked and wife and children murdered. His sister, Emma, also dies and...
Publishing Ann Thicknesse
While the title-page says Volume the First, the dedication to Richard Graves (a neighbour near Bath) hopes he will enjoy this second volume because he enjoyed the first.
Thicknesse, Ann. Sketches of the Lives and Writings of the Ladies of France. J. Dodsley, E. and C. Dilly, R. Cruttwell, and T. Shrimpton, 1778.
titlepage, iii
Elizabeth Carter is replaced...
Reception Frances Brooke
David Garrick emphatically warned Marie-Jeanne Riccoboni against using FB as a translator again in the future.
Garrick, David. Letters. Little, David M. and George M. KahrlEditors , Belknap Press of Harvard University Press, 1963.
461
Textual Production Frances Brooke
FB published her translation, made in 1759, of Marie-Jeanne Riccoboni 's sentimental novel Letters from Juliet, Lady Catesby, to Her Friend, Lady Henrietta Campley.
Critical Review. W. Simpkin and R. Marshall.
9 (1760): 420
Textual Production Mary Collyer
Marivaux' full title, La vie de Marianne; ou, Les aventures de Madame la Comtesse de*****, suggests a story from actual life. MC wrote most of her version before 1741 (very soon after the French...
Theme or Topic Treated in Text Julia Kavanagh
In her preface JK explains her interest in the rise of the novel and argues that novels have become the teachers for good or for evil of many; their power can be exalted or deplored—it...

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