Critical Review. W. Simpkin and R. Marshall.
38 (1803): 110ff
Connections Sort descending | Author name | Excerpt |
---|---|---|
Cultural formation | Anne Bannerman | Critic Andrew Elfenbein
interprets her assumption in her poetry of the male role of genius to suggest a degree of lesbian orientation in AB
, though nothing is known of her sexual attitudes or behaviour. |
Cultural formation | Anne Damer | Literary historian Andrew Elfenbein
argues that these attacks formed part of a general assault on the morals of the aristocracy. AD
stepped up her artistic activities during the next decade, and this rendered her liable... |
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 143 |
Occupation | Anne Damer | AD
was not only a diarist, novelist, and amateur actress: she became, from the 1780s, a successful and even famous sculptor. Andrew Elfenbein
notes the application to her of such terms as female genius and... |
Textual Features | Anne Damer | Critic Andrew Elfenbein
considers that the true subject of AD
's bas-relief of Antony and Cleopatra is physical intimacy between women, in this case between Cleopatra and Charmian. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 116 |
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