Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157 - 73.
166
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Pam Gems | PG
chose to base her play on Mann
's novel of 1905 instead of the well-known 1930 film by Josef von Sternberg
, which starred Marlene Dietrich
. Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157 - 73. 166 Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 163 |
Performance of text | Pam Gems | The Blue Angel, PG
's dramatic adaptation of Heinrich Mann
's Professor Unrat (1905), opened at The Other Place
in Stratford, directed by Trevor Nunn
. Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157 - 73. 166, 172 Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 163 |
Residence | Sybille Bedford | Later, after the Reichstag fire in the spring of 1933, distinguished exiles from Nazi Germany, Jews and left-wingers who got out early, began to choose Sanary as their temporary home: Bertolt Brecht
, Thomas Mann |
Textual Production | Willa Muir | After their initial Broch publication, WM
and Muir increased their translation speed, producing at least one translation a year (four in 1935 and three in 1936) from 1933 to 1938. During this time, they published... |
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