Gamble, Sarah. Angela Carter. A Literary Life. Palgrave Macmillan, 2009.
194
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Angela Carter | Lorna Sage
noted that South America is an apt setting for this novel, since the essays and stories of Argentinian writer Jorge Luis Borges
show a similar blending of the fantastical and the documentary (... |
Intertextuality and Influence | Angela Carter | Alison Lee
's book on AC
calls her an intellectual writer, whose novels refer to many literary, critical, and musical works, including the social and anthropological theories of Roland Barthes
, Claude Levi-Strauss
, and... |
Literary responses | Angela Carter | At the very end of her life, AC
still felt that she was unrecognised, Gamble, Sarah. Angela Carter. A Literary Life. Palgrave Macmillan, 2009. 194 |
Literary responses | Angela Carter | Anthony Burgess
praised AC
for doing something in this novel which she did in later ones as well: looking at the mess of contemporary life without flinching. Lee, Alison. Angela Carter. Twayne, 1997. 23 |
Literary responses | Angela Carter | Marc O'Day
suggests that this second novel of AC
's Bristol trilogy(which won the life-changing Somerset Maugham Award in 1969) Contemporary Authors. Gale Research, 1962. 61 Peach, Linden. Angela Carter. St Martin’s Press, 1998. 3 |
Material Conditions of Writing | Angela Carter | This novel was published the same year that AC
was diagnosed with cancer. Critic Alison Lee
notes the poignancy of one character's statement: Only untimely death is a tragedy. Lee, Alison. Angela Carter. Twayne, 1997. 112 |
Textual Features | Angela Carter | According to Marc O'Day, this novel is the third and last of AC
's Bristol trilogy. Two of the self-absorbed characters forming the lethal love-hate triangle are half-brothers Lee and Buzz (the latter illegitimate)... |
Textual Features | Angela Carter | Alison Lee
has commented on the novel's verbal pyrotechnics. Its baroque language seems to create cracks in the structure of the real world, indicating that there are always several perceptions of any situation. Lee, Alison. Angela Carter. Twayne, 1997. 29 |
No timeline events available.