Forster, E. M., and Eliza Fay. “Introductory Note”. Original Letters from India, Hogarth Press, pp. 7-24.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Eliza Fay | Her range of reference runs from Pope
on the one hand to, on the other, Ann Radcliffe
and an anonymous answerer of Hannah More
, the author of Nubilia in Search of a Husband. Forster, E. M., and Eliza Fay. “Introductory Note”. Original Letters from India, Hogarth Press, pp. 7-24. 10 |
Intertextuality and Influence | Katherine Philips | Elizabeth Carter
used KP
as a pattern for a poem about friendship. It has been much debated whether Philips's 'Tis true our life is but a long disease is a source for Pope
's famous... |
Intertextuality and Influence | Frances Browne | FB
began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse. Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon. xvi-xvii |
Intertextuality and Influence | Elizabeth Singer Rowe | Her elegy may have influenced Pope
's Eloisa. |
Intertextuality and Influence | Elizabeth Hands | The shorter attached poems include On Reading Pope
's Eloiza to Abelard (whose heroine EH
pities but cannot approve), Hands, Elizabeth. The Death of Amnon. Printed for the Author. 114 |
Intertextuality and Influence | Mary Herberts | This tale is not continuous, but distributed in sections throughout the book. The romance couples make periodic contact with the Countess Brillante, a woman writer about whom Herbert's attitude is typically protean and hard to... |
Intertextuality and Influence | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Intertextuality and Influence | Rumer Godden | Its setting is Catford Street, an ordinary, poor street in shabby postwar London, and the elegant Square round the corner. Its protagonist is a child waif, Lovejoy Mason; RG
's theme is the childhood... |
Intertextuality and Influence | Elizabeth Hands | EH
's pastorals include some touching love-stories, but they also regularly reverse the gender situations traditional to the genre. It is pairs of nymphs (not pairs of shepherds) who are alike ambitious to excel in... |
Intertextuality and Influence | Frances Seymour, Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Intertextuality and Influence | Elizabeth Moody | Personal matters mingle with others of public or topical interest, as EM
addresses Joseph Priestley
on the inter-relation of matter and spirit, Marie Antoinette
on her sufferings before her execution, and Dr Thomas Huet
on... |
Intertextuality and Influence | Mary Jones | As a late Augustan, Jones is skilled in the styles of more than one distinguished male predecessor, and confidently invites comparison with them. Her most famous poem today is the first in the volume, An... |
Intertextuality and Influence | Susanna Watts | At the outset the sisters are faced with the big question about slavery: What can I do for the cause? Watts, Susanna. The Humming Bird. I. Cockshaw. 4 |
Intertextuality and Influence | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley. title-page |
Intertextuality and Influence | Anna Seward |
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