Bullock, Alan et al., editors. Fontana Biographical Companion to Modern Thought. Collins.
733
Connections | Author name Sort descending | Excerpt |
---|---|---|
Family and Intimate relationships | Dora Carrington | As part of a suicide watch around Carrington organized by her friends, Virginia
and Leonard Woolf
visited her at Ham Spray on 10 March. Virginia
later wrote in her diary: She burst into tears &... |
Family and Intimate relationships | Dora Carrington | Lytton Strachey
, biographer and essayist, died of cancer at Ham Spray near Hungerford, Berkshire. Bullock, Alan et al., editors. Fontana Biographical Companion to Modern Thought. Collins. 733 |
Reception | Dora Carrington | She was very pleased with her model and with her rendering: I was completely overcome by her grandeur, and wit. I am painting her against the bookcase sitting full length in a chair, in a... |
Health | Dora Carrington | DC
made her first suicide attempt on the morning of Lytton Strachey
's death: she locked herself in her garage and attempted carbon monoxide poisoning, but was discovered when her household awoke. Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 293-5 Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press. 139 |
Reception | Dora Carrington | She called this her only successful work Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 289 Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 289 |
death | Dora Carrington | Distraught by the recent death of her dearest companion, Lytton Strachey
, DC
made a second suicide attempt. This time she shot herself, and died. Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press. 131-3 |
Textual Production | Dora Carrington | At Ham Spray in 1928, DC
depicted Adam and Eve in a mosaic around Lytton Strachey
's bedroom fireplace; this image was later replaced with Boris Anrep
's painted hermaphrodite (which according to critic Jane Hill |
Textual Production | Dora Carrington | |
Textual Production | Dora Carrington | Carrington's diaries incorporate lived moments restructured as short stories, some titled (A Short Love Affaire or The Danish Grave and The Reverse of the Medal, for instance); poetry (On a Picture of... |
Textual Production | Dora Carrington | Carrington
painted Tidmarsh Mill, inspired by the house she had recently moved into with author Lytton Strachey
; critic Mary Ann Caws
calls the work Carrington's unchallenged masterpiece. Caws, Mary Ann. Women of Bloomsbury: Virginia, Vanessa, and Carrington. Routledge. 149 Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press. 56 |
Textual Production | Dora Carrington | Beginning in 1918, Carrington and Lytton Strachey
composed poems for each other on their respective birthdays. Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 129, 156 |
Publishing | Dora Carrington | Writing as Mopsa, DC
won two guineas in a contest run by the weekend Observer: she entered a whimsical biographical essay on her companion Lytton Strachey
, by then famous as an iconoclastic biographer. Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 288 |
Author summary | Dora Carrington | DC
is known predominantly for her personal relationships with writer Lytton Strachey
and other members of the Bloomsbury Group, but she produced much striking work—visual and literary—herself. André Derain
and Simon Bussy
gave her... |
Cultural formation | Dora Carrington | DC
was born into a middle-class family with primarily English roots, whose strict moral and religious codes she rejected in favour of a more socially relaxed or bohemian painting and writing life in London and... |
Family and Intimate relationships | Dora Carrington | Carrington rejected the offer, and she and Gertler did not begin their physical affair until early 1917. Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 35, 52, 111 |
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