Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991.
137
Connections Sort descending | Author name | Excerpt |
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Literary responses | Ruth Prawer Jhabvala | The New York Times called this one of the three collaborators' best films as well as one of the best adaptations of a major literary work ever to come onto the screen. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 137 |
Reception | Ruth Prawer Jhabvala | RPJ
was awarded a Guggenheim Fellowship, 1976, the Neil Gunn International Fellowship in earlier 1979, a MacArthur Foundation Grant in 1983, and a CBE in 1998. Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 242, 3 Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 25 Gates, Anita. “Ruth Prawer Jhabvala, Screenwriter, Dies at 85”. The New York Times. |
Textual Features | Ruth Prawer Jhabvala | Critic Laurie Sucher
remarks that many of these stories rework the Gothic theme, that is, the sexualisation of villainy and victimisation. Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 44 |
Textual Features | Ruth Prawer Jhabvala | Heat and Dust presents a double plot: one set in the present, told in first-person narrative and in journals, and one set in 1923 (the April of which year saw an outbreak of Muslim-Hindu violence... |
Textual Features | Ruth Prawer Jhabvala | In the novel's present tense, Natasha goes to work for Leo at the Academy (in a gothic-style mansion in the Hudson River Valley) at a time when her foster-brother Mark has established on the... |
Textual Features | Ruth Prawer Jhabvala | The narrator, Harriet Wishwell (whose name sounds like something out of Restoration comedy), has a dominant twin brother, Michael, who is gay; Laurie Sucher
sees this as a culmination in a sequence of Jhabvala heroines... |
Textual Production | Ruth Prawer Jhabvala |
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