Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson.
386
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | E. Nesbit | When EN
's commissions for children's stories dried up, she was left in financial difficulty. She was used to making perhaps fifty pounds for an episode issued in England and the USA, which worked out... |
Textual Features | E. Nesbit | The guardian of two young cousins blows their inheritance and absconds leaving them nothing but a house and five hundred pounds. Fresh from school, the two girls respond differently: Lucilla is anxious but Jane Quested... |
Literary responses | E. Nesbit | Briggs
calls this a most readable book, a pure romance full of happy improbabilities pegged down by telling concrete details, rich with her own passionate enthusiasms and prejudices. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 386 |
Friends, Associates | E. Nesbit | EN
first met Alice Hoatson
, who became her husband's life-long lover. Biographer Julia Briggs
calls Hoatson her intensest and most painful friendship. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 107 Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 106-7 |
Publishing | E. Nesbit | A poem by EN
entitled A Year Ago appeared in Good Words; it is her earliest work in print that biographer Julia Briggs
has been able to track down. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 35-6 |
Occupation | E. Nesbit | A few years later she believed, as if she had entered into one of her own fantasies for children, that she had found out the Shakespeare cipher, which comes out as definitely as the result... |
Publishing | E. Nesbit | From early in her marriage EN
began writing seriously for periodicals, for the sake of the income she could bring in. She submitted work in prose and poetry to the radical Weekly Dispatch, The... |
Textual Features | E. Nesbit | EN
writes more of female sexuality in this novel than anywhere else, using images of imprisonment to express her sense of what it meant to be a woman in a world dominated by men. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 192 |
Textual Features | E. Nesbit | EN
's and Barron's collaborative stories reflect his antiquarian interests in what biographer Julia Briggs
calls general gadzookery. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 182 |
Textual Production | Virginia Woolf | The idea for VW
's fourth novel, Julia Briggs
observes, goes back to a plan she had thought of twenty years earlier, for a play about a man and a woman—show them growing up—never meeting—not... |
Reception | Virginia Woolf | The first reviews of Mrs. Dalloway came out in the same month as those of The Common Reader (first series). Both the Western Mail and the Scotsman dismissed the novel as beyond the general reader... |
Literary responses | Virginia Woolf | Leonard Woolf
, reading the typescript of this novel at the end of February 1941, judged it to be more vigorous and pulled together than most of her other books, to have more depth and... |
Reception | Virginia Woolf | Critic Louise DeSalvo
calls A Sketch of the Pastthe bravest writing task that she had ever set out to accomplish. DeSalvo, Louise. Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work. Beacon Press. 99 |
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