Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Lady Caroline Lamb | The British Library Catalogue lists this work under Byron
, not Lamb. She paid for its publication, and sent copies to friends and reviewing journals. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 231 |
Textual Production | Lady Caroline Lamb | LCL
anonymously published A New Canto to satirize Byron
's Don Juan (of which only two cantos were so far in print). Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 299 |
Textual Production | Lady Caroline Lamb | An odd spin-off from LCL
's desire to make herself into a professional writer was her project for a pocket diary or almanac. These ephemeral publications were repositories of useful information of many kinds as... |
Textual Production | Lady Caroline Lamb | LCL
published another satire on Byron
's writing: Gordon, A Tale, A Poetical Review of Don Juan, in two cantos. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 300 |
Reception | Lady Caroline Lamb | From the date of Byron's death, LCL
lived with a constant succession of revelations in celebrity memoirs, which often contained something hurtful to herself. Thomas Medwin
, whom she respected as a truth-teller, printed an... |
Material Conditions of Writing | Lady Caroline Lamb | Just after Byron
's death, LCL
confirmed Isaac Nathan
's exclusive right to set her songs to music. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 8 |
Author summary | Lady Caroline Lamb | LCL
was the author of three early-nineteenth-century novels and of an unpublished diary and occasional poetry. Some of her satirical poems were published. She wrote her first novel as a personal testament and retaliation after... |
Cultural formation | Lady Caroline Lamb | As an adult, she became increasingly promiscuous. Her conduct in her affair with Byron
(who was at first dazzled by and obsessed with her, later implacably hostile in principle, though capable of softening when he... |
Family and Intimate relationships | Lady Caroline Lamb | LCL
fell in love with Byron
, she said, after reading his Childe Harold: I read it, and that was enough. When first brought face to face with him at a social gathering, she... |
Family and Intimate relationships | Lady Caroline Lamb | At the same time that LCL
had related to Sydney Morgan the episode of the page and the fireworks, she had said that she was going to be punished eventually for her cumulative misdeeds by... |
Textual Production | Lady Caroline Lamb | LCL
kept a diary, in which she recorded, for instance, her famous first impression of Byron
. Late in her life she planned to publish this diary, and to consult Sydney Morgan
about the best... |
Intertextuality and Influence | Lady Caroline Lamb | The printed selection begins with girlhood letters to Georgiana, Duchess of Devonshire
's elder daughter. It goes on to include correspondence with friends and publishers, analyses of feelings and comments on the experience of pregnancy... |
Family and Intimate relationships | Lady Caroline Lamb | LCL
made a strange and inconsistent attempt to elope with Byron
; she dressed as a page-boy with an overcoat covering her disguise, and apparently surprised him when she turned up. The project was not... |
Material Conditions of Writing | Lady Caroline Lamb | According to her own account, LCL
wrote her notorious novel Glenarvon and sent it to press within one month, while articles of separation were being drawn up by her husband following her act of violence... |
Family and Intimate relationships | Lady Caroline Lamb | LCL
, on impulse, ran away from the house of her parents-in-law and pawned a ring, intending to flee abroad. But she sent farewell notes, which enabled Byron
to track her and deliver her to... |
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