Marie-Madeleine de Lafayette

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Standard Name: Lafayette, Marie-Madeleine de
Birth Name: Marie-Madeleine Pioche de la Vergne
Married Name: Marie-Madeleine Lafayette
MML , writing in France in the late seventeenth century, originated there the new form of the novel: shorter, less diffuse, more vigorous in its emotional effect than the long, many-storied, courtly romances. She was chiefly admired in England for La princesse de Clèves, 1678.
Black and white, head-and-shoulders image of a lost painting of Marie-Madeleine de Lafayette by Louis Ferdinand Elle l'Aîné. She sits with her head resting on one hand, wearing a gown with a V neck and puffed sleeves, without jewellery. Her dark hair is pulled back into a pearl-wrapped bun, with a ringlet lying on her shoulder.

Connections

Connections Author name Excerpt
Theme or Topic Treated in Text Ann Thicknesse
AT makes it clear she is no proto-feminist: If women are thought to possess minds less capable of solid reflection than men, they owe this conjecture entirely to their own vanity, and erroneous method of...
Theme or Topic Treated in Text Julia Kavanagh
In her preface JK explains her interest in the rise of the novel and argues that novels have become the teachers for good or for evil of many; their power can be exalted or deplored—it...

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