Stern, G. B. . And did he stop and speak to you?. Henry Regnery.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Lennox | Again Lennox gives her chapters titles which foretell their contents in the FieldingSarah Fielding
manner. Of the sister heroines, Harriot is beautiful and spoiled by her mother, a less forgiveable coquette than her namesake in Harriot... |
Intertextuality and Influence | Margaret Legge | When her mother dies leaving her some money, Janet writes to her husband (who still idolises her, but looks down upon her from a mental height and explains things in the simplest possible way, with... |
Theme or Topic Treated in Text | Vernon Lee | In her first essay, Lee offers a summary analysis of the English novelistic tradition. Judging them especially, though not entirely, on their treatments of morality, she evaluates writers including Jane Austen
, Maria Edgeworth
,... |
Intertextuality and Influence | Mary Latter | The first letter, the earliest piece in the volume, was said to have been written seventeen years ago at the age of seventeen: to Myra, which suggests that ML
may have been one among... |
Textual Production | Annie Keary | She had worked on this novel both at Pégomas near Cannes in the South of France and at her home in Kensington. For some reason she found none of her usual pleasure in composition... |
Intertextuality and Influence | Sheila Kaye-Smith | She was helped and encouraged in this work by her friend the novelist Walter Lionel George
. Stern, G. B. . And did he stop and speak to you?. Henry Regnery. 79 |
Theme or Topic Treated in Text | Sheila Kaye-Smith | Here she relates significant moments in her life to what she was reading at the time. She says that her reading, directed at first by chance and the choices of others, later moved towards what... |
Textual Production | Elizabeth Justice | Again the print-run was 600 copies. At the end of this year, in December, Henry Fielding
published his final novel, also titled Amelia. The continuing advertisements of Justice's Amelia up to this date are... |
Education | Sarah Orne Jewett | She read extensively as a child, and came early to authors as diverse as Jane Austen
, George Eliot
, Margaret Oliphant
, Henry Fielding
, Laurence Sterne
, Elizabeth Gaskell
and Harriet Beecher Stowe |
Intertextuality and Influence | Catherine Hutton | Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke
's translation from Marie-Jeanne Riccoboni
). Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown. 3: 95 |
Intertextuality and Influence | Rachel Hunter | As its title implies, this novel sets out to flout fictional convention in its bourgeois attitudes and ineligible characters. For both preface and narrative RH
adopts the persona of the ugly Old Bachelor, Gilbert Grubthorpe... |
Intertextuality and Influence | Margaret Holford | Selima is a writing heroine: her poems are interspersed in the text, since as she says, As I grow sick or unhappy, I grow poetical. Holford, Margaret. Selima; or, The Village Tale. Hookham; P. Broster. 2: 73 |
Literary responses | Elizabeth Hervey | The Critical Review thought the protagonist and his adventures too closely modelled on Henry Fielding
's Tom Jones, Garside, Peter. “The English Novel in the Romantic Era: Consolidation and Dispersal”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, pp. 2: 15 - 103. 1: 678-9 |
Reception | Elizabeth Hervey | It has been until recently a given of literary history that William Beckford
had his half-sister in his sights in his two burlesques on women's novel-writing. The title-page of the first quotes Pope
, thus... |
Textual Features | Mary Herberts | This ambivalently presented woman writer specialises in highflown rhetoric whose literal version is bathetic, foreshadowing a technique of Henry Fielding
: the Sun beginning (in the Countess's style) to hasten to the Embraces of his... |
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