Stern, G. B. . And did he stop and speak to you?. Henry Regnery.
79
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Elizabeth Justice | Again the print-run was 600 copies. At the end of this year, in December, Henry Fielding
published his final novel, also titled Amelia. The continuing advertisements of Justice's Amelia up to this date are... |
Intertextuality and Influence | Sheila Kaye-Smith | She was helped and encouraged in this work by her friend the novelist Walter Lionel George
. Stern, G. B. . And did he stop and speak to you?. Henry Regnery. 79 |
Theme or Topic Treated in Text | Sheila Kaye-Smith | Here she relates significant moments in her life to what she was reading at the time. She says that her reading, directed at first by chance and the choices of others, later moved towards what... |
Textual Production | Annie Keary | She had worked on this novel both at Pégomas near Cannes in the South of France and at her home in Kensington. For some reason she found none of her usual pleasure in composition... |
Intertextuality and Influence | Mary Latter | The first letter, the earliest piece in the volume, was said to have been written seventeen years ago at the age of seventeen: to Myra, which suggests that ML
may have been one among... |
Theme or Topic Treated in Text | Vernon Lee | In her first essay, Lee offers a summary analysis of the English novelistic tradition. Judging them especially, though not entirely, on their treatments of morality, she evaluates writers including Jane Austen
, Maria Edgeworth
,... |
Intertextuality and Influence | Margaret Legge | When her mother dies leaving her some money, Janet writes to her husband (who still idolises her, but looks down upon her from a mental height and explains things in the simplest possible way, with... |
Literary responses | Charlotte Lennox | CL
's The Female Quixote was crucially reviewed by Henry Fielding
in his Covent Garden Journal. Fielding, Henry. The Covent-Garden Journal. Editor Jensen, Gerard Edward, Vol. 2 vols. , Russell and Russell. 2: 279-82 |
Friends, Associates | Charlotte Lennox | She met Sarah Fielding
at Richardson's house, and became friendly also with Henry Fielding
, Saunders Welch
(the philanthropist, who later offered her employment), and Lord Orrery
. She was presumably the Mrs Lenox with... |
Textual Features | Charlotte Lennox | The novel's opening is an early example of a technique which was to remain popular with authors for generations: About the middle of July 17 — . . . , where the precise day and... |
Intertextuality and Influence | Charlotte Lennox | Again Lennox gives her chapters titles which foretell their contents in the FieldingSarah Fielding
manner. Of the sister heroines, Harriot is beautiful and spoiled by her mother, a less forgiveable coquette than her namesake in Harriot... |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Intertextuality and Influence | Alethea Lewis | Her first chapter explicitly addresses critics, and the authorial voice is often in dialogue with imagined readers—who are given a kind of life as typical young eligibles: the lovely Florinda and her favoured swain. Feminist Companion Archive. |
Literary responses | Alethea Lewis | The Critical Review praised AL
's ability to invent and entertain, but objected to the detailed depiction of villainy (inviting imitation) and the authorial remarks in the manner of Fielding
, without his genius... |
Textual Features | Anna Maria Mackenzie | AMM
's opening address To the Readers of Modern Romance says that ancient romance was put paid to by the new source of amusement . . . struck out by Henry Fielding
and Richardson
(to... |
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