Scurr, Ruth. “All Change, by Elizabeth Jane Howard, review”. The Telegraph.
Tessa Hadley
Standard Name: Hadley, Tessa
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Education | Antonia White | Tessa Hadley
speculates that something dreadful and traumatic happened to AW
at school, which marked her for life—obsessed her and damaged her. The experience prevented her from writing for years. At last, however, it drove... |
Literary responses | Pat Barker | Reviewer Lara Feigel
found that PB
's allusions to actual, historical people (Paul sharing sentiments, his place of work, the circumstances of his falling in love, with Graham Greene
; Elinor owing something to Elizabeth Bowen |
Literary responses | Jane Gardam | Hugo Lindgren
, writing in the New York Times, praised JG
's perceptive and fluid prose. This, he wrote, feels mentally healthful, exiling the noise and clutter of your mind; it reconciled him... |
Literary responses | Jane Gardam | Hadley
devoted much of her review to the structure of the trilogy as a whole: an ambitious and complex portrait of extraordinary times. Since each book retells the story from a vantage point in the... |
Literary responses | Elizabeth Jane Howard | Ruth Scurr
in the Telegraph judged EJH
to be as impressive a writer as ever in this novel, and instanced her handling of dialogue among children. |
Literary responses | Pamela Hansford Johnson | Tessa Hadley
(not an admirer of PHJ
's work) called this book unfailingly self-serving but at least intermittently gritty with the oddity of real life. Hadley, Tessa. “He wants me no more”. London Review of Books, No. 2, pp. 29 -30. 30 |
Literary responses | Pamela Hansford Johnson | Wendy Pollard
, who published a biography of her in 2014, was admiringly enthusiastic about PHJ
's writing; Tessa Hadley
, who reviewed the biography, held a much lower opinion. Johnson's style, wrote Hadley, was... |
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