Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
1: 615
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Margaret Holford | This novel was somewhat condescendingly noticed in the Critical Review as artless, an interesting little story, related in a pleasing manner, though vulnerable to various criticisms. William Enfield
in the Monthly expressed indulgence towards... |
Literary responses | Mary Robinson | MR
's daughter says the first edition sold out in a single day. Five more impressions followed. Reviewers were less keen. Though William Enfield
in the Monthly Review praised the novel's richness of language and... |
Literary responses | Margaret Holford | William Enfield
, writing in the Monthly Review, found the narrative clumsily handled here, with the subplot hanging like a dead weight on the main story, and the characters, sentiments, and language alike unremarkable. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 615 |
Literary responses | Eliza Fenwick | Secresy had six reviews in 1795; EF
wrote much later that they blamed the principles but commended the style & Imagination. Paul, Lissa. Eliza Fenwick, Early Modern Feminist. University of Delaware Press, 2019. 71 |
Literary responses | Clara Reeve | The Critical Review (which assumed the author to be male) defined his intention as to interest the imagination . . . by going into the marvellous, without transgressing the bounds of credibility. qtd. in Critical Review. W. Simpkin and R. Marshall, 5 series. 44 (1777): 154 |
Literary responses | Isabella Kelly | The Critical made a basic misjudgement of The Abbey of St. Asaph (seemingly paying more attention to title than to content): it listed all the appurtenances of the Radcliffe
an novel, with which it said... |
Literary responses | Joanna Baillie | Very few copies sold. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, 1999, pp. 1-25. 3 |
Literary responses | Anna Maria Porter | The Critical Review welcomed the first volume, but said this young genius was worthy of, or needed, further cultivation. When volume two rapidly followed, the journal felt that it was premature. It complained that the... |
Literary responses | Anna Maria Mackenzie | William Enfield
in the Monthly Review deplored the injudicious rendering of the simple Bible story into meretricious ornaments of redundant metaphors and prosaic rhythmus [sic]. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 819 |
Literary responses | Anne Plumptre | Antoinette was well reviewed. The Critical hailed a novel which neither endangered its readers' morals nor bored them with constant moralising. It dropped hints about the author's identity which amounted to puffing, saying it believed... |
Literary responses | Anna Maria Mackenzie | The Critical felt that this novel's power of raising feelings is but feeble, though at least such feelings would be on the side of virtue. William Enfield
in the Monthly was much more positive... |
Literary responses | Jane West | The Critical Review cited West's preface approvingly and noted that she had fulfilled the intentions there set out. William Enfield
in the Monthly Review professed himself delighted to see fictional talent successfully employed to efface... |
Literary responses | Sarah Pearson | The Critical Review reported that this book was written upon the same plan with the Adventures of a Guinea, which the writer has ingeniously imitated. Critical Review. W. Simpkin and R. Marshall, 5 series. (October 1794): 99 |
Literary responses | Margaret Minifie | The Critical belatedly noted: She is now no longer in partnership, but sets up for herself. Critical Review. W. Simpkin and R. Marshall, 5 series. 50 (1780): 168 |
Literary responses | Lady Mary Walker | Reviewers were impressed. The Critical praised the author's great knowledge of the world and her soundness of judgement, both natural and acquired: Considered as a female writer, (we beg pardon of the ladies for this... |
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