Women’s Writing in the British Isles from the Beginnings to the Present
Ann Radcliffe
-
Standard Name: Radcliffe, Ann
Birth Name: Ann Ward
Married Name: Ann Radcliffe
Pseudonym: The Author of A Sicilian Romance
Pseudonym: Adeline
AR
is well known as the mistress par excellence of eighteenth-century Gothic fiction, the continuing tradition of which she strongly marked with the characteristics of her individual style. She also produced poetry, travel writing, and criticism. She apparently wrote for her own enjoyment, not because she needed the money, and after five novels in seven years she stopped publishing. She held aloof from the company of other literary people, and kept her private life from the public eye.
Several poems treat events in history: not only Henry II
of England but also the Protestant Henri IV of France
. The latter's victory over the Catholic League at the battle of Ivry in 1590...
Intertextuality and Influence
Elizabeth Isabella Spence
She begins with Wales (whose countryside she praises but whose peasants she fairly sweepingly dismisses).
Spence, Elizabeth Isabella. Summer Excursions. Longman, Hurst, Rees, and Orme.
1: 24-5
Although her title-page does not name it, she returned to Wales on a later journey, and devotes a...
Intertextuality and Influence
Mary Hays
MH
's preface explains her intention of examining the power of the passions in action, on the model of Godwin
's Caleb Williams. She also compliments Ann Radcliffe
. She defends the worth of...
Leisure and Society
Eliza Lynn Linton
In London, Eliza Lynn drank in artistic life. She championed the singing of Jenny Lind
against those who preferred Alboni or Malibran. She performed for Samuel Laurence
the role of uninformed art critic or foolometer...
Literary responses
Elizabeth Hervey
The Critical Review once again praised the style and characters. It judged the novel too long and its plot too complicated, but that the whole was certainly superior to the majority of flimsy publications of...
Literary responses
Anna Maria Mackenzie
The Critical Review was unimpressed, classifying this as an inadequate imitation of Radcliffe
, incorporating the apparently obligatory ingredients of cruel German counts, each with two wives—old castles—private doors—sliding panels—banditti—assassins—ghosts &c. This mixture, it...
Literary responses
Anna Maria Mackenzie
It provoked the Critical to extended complaint about the pains of reviewing. Nothing, it said, was so harrassing and tedious as a novel without a plan like this,
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 684
in which detached scenes of...
Literary responses
Sarah Scudgell Wilkinson
George Saintsbury
in 1913 developed an attack on this book as very nearly consummate in badness. . . . a fair example of the worst imitations of Mrs. Radcliffe
and Matthew Lewis
conjointly, though without...
Literary responses
Charlotte Dacre
Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning...
Literary responses
Elizabeth Meeke
The notice in the Critical Review betrayed impatience with this novel: it was particularly displeased with the proliferation of dukes and duchesses, marquisses and marchionesses, the bad grammar, and the libellous view of the abodes...
Literary responses
Regina Maria Roche
The Critical Review was reminded unpleasantly of Ann Radcliffe
(from whom, indeed, says Rictor Norton
in the Oxford Dictionary of National Biography, passages are lifted without acknowledgement).
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
The Critical summed up this novel as...
Literary responses
Isabella Kelly
The Critical made a basic misjudgement of The Abbey of St. Asaph (seemingly paying more attention to title than to content): it listed all the appurtenances of the Radcliffe
an novel, with which it said...
Literary responses
Isabella Kelly
This novel was praised by the British Critic as entitled to no mean place among the better productions of this description.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
The interesting characters, gripping incident, and unaffected language were singled out for praise.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
The Critical Review observed crushingly that vapid and servile imitations like this one were a severe penance for critics who had been seduced by Ann Radcliffe
into admiration for the modern romance.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
