Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby.
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Connections Sort ascending | Author name | Excerpt |
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Intertextuality and Influence | Florence Nightingale | In tribute to Jones's work, FN
invokes the character of Una (symbol of truth, foe to error) from Spenser
's The Faerie Queene in her bid to inspire others to take on similar religious work... |
Intertextuality and Influence | Clementina Black | Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid... |
Intertextuality and Influence | Caroline Norton | After this success Caroline began on a Romantic narrative poem in Spenser
ian stanzas, set in America, to be called Amouida and Sebastian; but she did not finish it. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby. 29 |
Intertextuality and Influence | Mary Tighe | |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Jane Williams | She takes her title from the name of the knight of Justice in Spenser
's The Faerie Queen, whom she quotes in an epigraph on the title page. The publication was written in response... |
Intertextuality and Influence | Elizabeth Barrett Browning | Shorter pieces here include many sonnets, the most striking and complex of which are perhaps the two dedicated to George Sand
that explore the apparent contradictions of gender and genius. To George Sand. A Desire... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes from Spenser
, and the first chapter from Johnson
's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference... |
Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
Intertextuality and Influence | Jessie Ellen Cadell | JEC
prefaced her poem with a quatrain of her own (the only original poetry by her which Richard Garnett knew of). Addressing Una (presumably as a character standing, as does Spenser
's personage of that... |
Intertextuality and Influence | An Collins | AC
writes in many different metres (some unusual, a few somewhat uncertainly used). In a prose address to the Christian Reader Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library. 1 Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library. 2 |
Intertextuality and Influence | Katharine S. Macquoid | A Bad Beginning's title-page quotes Spenser
, on the wrongness of binding in love those whom God has not ordained for each other. As every English reader would have expected, the French marriage of... |
Intertextuality and Influence | Alicia D'Anvers | ADA
's immortal Sing-Song / How all th'old Dons were at it Ding-dong D’Anvers, Alicia. The Oxford-Act. Randal Taylor. 9 |
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Isak Dinesen | She divided her life into five stages, supplying a motto for each stage, in Latin, French, and English. The English motto, for the final stage, came from Spenser
's The Faerie Queene: Be bold... |
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