Edmund Spenser

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Standard Name: Spenser, Edmund

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Florence Nightingale
In tribute to Jones's work, FN invokes the character of Una (symbol of truth, foe to error) from Spenser 's The Faerie Queene in her bid to inspire others to take on similar religious work...
Intertextuality and Influence Clementina Black
Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid...
Intertextuality and Influence Caroline Norton
After this success Caroline began on a Romantic narrative poem in Spenser ian stanzas, set in America, to be called Amouida and Sebastian; but she did not finish it.
Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby.
29
Intertextuality and Influence Mary Tighe
MT 's prose preface acknowledges her debt, early in the poem, to Apuleius ' version of the Psyche story. She says she chose the Spenserian stanza because she loved Spenser ; she found it difficult...
Intertextuality and Influence Anne Grant
As well as her central allusion to Barbauld, AG claims authority for her work by quoting Milton on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style...
Intertextuality and Influence Jane Williams
She takes her title from the name of the knight of Justice in Spenser 's The Faerie Queen, whom she quotes in an epigraph on the title page. The publication was written in response...
Intertextuality and Influence Elizabeth Barrett Browning
Shorter pieces here include many sonnets, the most striking and complex of which are perhaps the two dedicated to George Sand that explore the apparent contradictions of gender and genius. To George Sand. A Desire...
Intertextuality and Influence Barbara Hofland
The title-page quotes from Spenser , and the first chapter from Johnson 's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference...
Intertextuality and Influence Anna Maria Porter
The new Juvenilia Press edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and...
Intertextuality and Influence Jessie Ellen Cadell
JEC prefaced her poem with a quatrain of her own (the only original poetry by her which Richard Garnett knew of). Addressing Una (presumably as a character standing, as does Spenser 's personage of that...
Intertextuality and Influence An Collins
AC writes in many different metres (some unusual, a few somewhat uncertainly used). In a prose address to the Christian Reader
Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library.
1
she says she has achieved a peacefull temper and spirituall calmnesse.
Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library.
2
Her...
Intertextuality and Influence Katharine S. Macquoid
A Bad Beginning's title-page quotes Spenser , on the wrongness of binding in love those whom God has not ordained for each other. As every English reader would have expected, the French marriage of...
Intertextuality and Influence Alicia D'Anvers
ADA 's immortal Sing-Song / How all th'old Dons were at it Ding-dong
D’Anvers, Alicia. The Oxford-Act. Randal Taylor.
9
describes and exploits the annual university carnival of misrule which employed a licensed burlesque speaker. She drops, with cheerful irreverence, a...
Intertextuality and Influence Selina Davenport
The title-page quotes Milton on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has...
Intertextuality and Influence Isak Dinesen
She divided her life into five stages, supplying a motto for each stage, in Latin, French, and English. The English motto, for the final stage, came from Spenser 's The Faerie Queene: Be bold...

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