Harriet Shaw Weaver

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Standard Name: Weaver, Harriet Shaw
Birth Name: Harriet Shaw Weaver
Pseudonym: Josephine Wright
HSW wrote reviews and leaders for the influential little magazine The Egoist while she was its editor. She wrote historical surveys of philosophical concepts of time and space, but neither of these was ever published. She is best remembered for her herculean efforts to achieve publicaton for the writings of James Joyce .

Connections

Connections Author name Sort descending Excerpt
Author summary James Joyce
Irish exile JJ , hailed by Yeats as a new kind of novelist even before his first novel was published, became one of the leading practitioners of modernism. As well as poems, a play, and...
Publishing James Joyce
Harriet Shaw Weaver (who heard of Joyce through Marsden and succeeded her as editor of The Egoist) developed the Egoist Press in 1916 for the immediate purpose of publishing A Portrait of the Artist...
Textual Production Dora Marsden
During the mid-1920s Harriet Shaw Weaver began work on a study of the changing philosophical approaches to time and space, to which DM contributed. By the early 1950s, however, Weaver had edited out the section...
Literary responses Dora Marsden
The Philosophy of Time was the best received among all of DM 's monographs. Though Weaver lost forty pounds of her publishing investment, the pamphlet sold almost one hundred copies and received a summary notice...
Friends, Associates Dora Marsden
DM and Harriet Shaw Weaver first met formally; they quickly developed an affectionate and highly productive friendship.
Garner, Les. A Brave and Beautiful Spirit: Dora Marsden, 1882-1960. Avebury.
92
Textual Production Dora Marsden
Formerly stored in a wicker trunk at the home of her niece Elaine Dyson Bate, DM 's papers are now at Princeton University . Her collection contains manuscripts, papers, and letters to and from Rebecca West
Textual Production Dora Marsden
DM officially stepped down as editor of The Egoist. She became a contributing editor, while Harriet Shaw Weaver took over her former position.
Garner, Les. A Brave and Beautiful Spirit: Dora Marsden, 1882-1960. Avebury.
132-3
Marsden, Dora, and Harriet Shaw Weaver, editors. The Egoist. Kraus.
1: 1
Publishing Dora Marsden
DM 's pamphlet The Philosophy of Time was issued by Holywell Press . This was arranged by Harriet Shaw Weaver , as Marsden was then a resident patient at Crichton Royal Hospital .
Garner, Les. A Brave and Beautiful Spirit: Dora Marsden, 1882-1960. Avebury.
186
Residence Dora Marsden
Seldom Seen eventually incorporated both no. 4 and no. 5, Glencoyne Cottages, in Glenridding. The Marsdens had some financial assistance from Harriet Shaw Weaver , who also rented a neighbouring cottage for visits. The women's...
Friends, Associates Dora Marsden
During the 1920s DM 's primary focus was her writing, which she continued mainly in isolation and under much mental and physical stress. However, she was assisted in this by Harriet Shaw Weaver and Sylvia Beach
Cultural formation Dora Marsden
Harriet Shaw Weaver commented in 1961 (a year after Marsden's death and at the end of her own life) that the Holy Ghost was a female deity to whom [Dora] used to pray and who...
Friends, Associates Dora Marsden
During Marsden's years in hospital her periods of inactivity were interrupted by a burst of writing between 1958 and 1959, as well as by regular contact with family and some friends. Harriet Shaw Weaver paid...
Textual Production Dora Marsden
Plans were afoot to relaunch The Freewoman shortly after it collapsed in its first form. When Marsden retreated to Southport for health reasons, Rebecca West acted as liaison between her and supporters in the Freewoman Discussion Circle
Textual Features Dora Marsden
Marsden was neither unaware nor entirely appreciative of Pound's intellectual programme or his professional ethics. She told Weaver in a letter of November 1913 (after the journal had again been relaunched with a new name)...
Reception Dora Marsden
Sales of the bimonthly New Freewoman remained low (about 400 copies per issue), a consequence of its appeal to a limited audience and the continued ban by W. H. Smith . It was kept alive...

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