Churchill, Caryl. Plays: One. Methuen.
130
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Performance of text | Caryl Churchill | Vinegar Tom, CC
's play about witches with no witches in it, Churchill, Caryl. Plays: One. Methuen. 130 Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 109 |
Occupation | Caryl Churchill | Two other theatre groups that profoundly influenced her career were the socialist-feminist Monstrous Regiment
and the fringe collective Joint Stock
, both of whom she began working with in 1976. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 107-8 Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press. 103 Todd, Janet, editor. Dictionary of British Women Writers. Routledge. 144-5 |
politics | Caryl Churchill | CC
is a feminist in her life as well as in her writings. She first met the members of the Monstrous Regiment
on a demonstration in support of the National Abortion Campaign
. Hanna, Gillian, editor. Monstrous Regiment. Four Plays and a Collective Celebration. Nick Hern Books. xxxvi |
Textual Production | Caryl Churchill | CC
describes 1976 as a watershed year. Churchill, Caryl. Plays: One. Methuen. xii Churchill, Caryl. Plays: One. Methuen. xii |
Intertextuality and Influence | Caryl Churchill | CC
chose the subject in consultation with Monstrous Regiment
, whose members she had met after a pro-abortion march and to whom she mentioned her hoard of witchcraft material amassed while working on Light Shining... |
Performance of text | Caryl Churchill | CC
's collaboration with Monstrous Regiment
continued through the summer of 1977, when she participated in their cabaret Floorshow, along with Michelene Wandor
and Bryony Lavery
. Churchill, Caryl. Plays: One. Methuen. xii |
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