McLeod, Deborah. The Minerva Press. University of Alberta.
273
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Mary Charlton | MC
published through the Minerva Press
, with her name, Phedora; or, The Forest of Minski, A Novel. McLeod, Deborah. The Minerva Press. University of Alberta. 273 |
Textual Production | Mary Charlton | MC
published with the Minerva PressThe Pirate of Naples, A Novel. Critical Review. W. Simpkin and R. Marshall. 2d ser. 34 (1802) : 476 McLeod, Deborah. The Minerva Press. University of Alberta. 301 |
Textual Production | Mary Charlton | MC
's next work, again with the Minerva Press
, was in a new style for her: the satirical Rosella; or, Modern Occurrences, A Novel. McLeod, Deborah. The Minerva Press. University of Alberta. 285 |
Textual Production | Mary Charlton | MC
published with the Minerva Press
another story set in modern society, The Wife and the Mistress, A Novel. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 149 McLeod, Deborah. The Minerva Press. University of Alberta. 309 |
Author summary | Mary Charlton | Active at the end of the eighteenth century and the first several decades of the nineteenth, MC
published a dozen historical or exotic romances and socially critical novels. The former made her one of the... |
Reception | Mary Charlton | In this year a Minerva Press
catalogue mentioned MC
as one of its most popular authors. |
Textual Production | Mary Charlton | They were The Reprobate, from a French translation, Tableaux de famille, of a German novel by Augustus La Fontaine
; The Philosophic Kidnapper (said to be adapted from French, March 1803, though no... |
Publishing | Emily Frederick Clark | She dedicated this book, which bore her name (with mention of her grandfather and her previous novel), to the Countess of Shaftesbury
(wife of the sixth earl, who was soon to become the mother of... |
Textual Production | Emily Frederick Clark | EFC
published her third novel, The Banks of the Douro; or, The Maid of Portugal, through the Minerva Press
, which had also brought out a new edition of her previous work. McLeod, Deborah. The Minerva Press. University of Alberta. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 209 |
Textual Production | Emily Frederick Clark | EFC
published with the Minerva Press
her latest identified novel, The Esquimaux; or, Fidelity: A Tale, in three volumes. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 477 |
Textual Production | Helen Craik | HC
, as the Author of Adelaide de Narbonne, published Stella of the North; or, The Foundling of the Ship: A Novel, in four volumes with Minerva Press
. A manuscript note in... |
Textual Production | Helen Craik | HC
used a startling title, The Nun and Her Daughter; or, Memoirs of the Courville Family, for her final novel, published in four volumes by the Minerva Press
. McLeod, Deborah. The Minerva Press. University of Alberta. 328 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 210 |
Publishing | Helen Craik | The novel had been advertised in April as to be published speedily. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 669 |
Textual Production | Helen Craik | Again her publisher was the Minerva Press
. A Dublin edition appeared during the same year. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 113 |
Textual Production | Helen Craik | This appeared in four volumes from the Minerva Press
. Its title seems to be the root source of scholarly confusion of HC
with Catherine Cuthbertson
. HC
was clearly familiar with Helen Maria Williams |
No timeline events available.
No bibliographical results available.