Critical Review. W. Simpkin and R. Marshall.
55 (1783): 152
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Frances Brooke | It became a dazzling hit in England and other countries, performed in every year until the end of the century, and frequently reprinted after Cadell
first published it early in 1783. Critical Review. W. Simpkin and R. Marshall. 55 (1783): 152 |
Textual Production | Frances Brooke | Brooke had offered the sketch to Thomas Cadell
some weeks earlier.Cadell, Jr |
Textual Production | Anna Letitia Barbauld | ALB
began her career as a writer for hire McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 366 |
Textual Production | Anna Letitia Barbauld | She evidently had difficulty completing this work, since as published it bore the date of 1794, and Cadell and Davies
had been pressing her for copy in December. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 366-7 |
Publishing | Anne Bannerman | Orientalist William Erskine
helped to arrange the publication of this work. Kushigian, Nancy, and Stephen C. Behrendt, editors. Scottish Women Poets of the Romantic Period. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 131 |
Publishing | Jane Austen | JA
's father
wrote to offer her First Impressions, anonymously, to the quality publishers Cadell and Davies
; his offer to send the manuscript was declined by return of post. Honan, Park. Jane Austen: Her Life. Weidenfeld and Nicolson. 123 Le Faye, Deirdre. “Chronology of Jane Austen’s Life”. The Cambridge Companion to Jane Austen, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, pp. 1-11. 5 |
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