Cadell, Jr

Connections

Connections Author name Sort descending Excerpt
Reception Hannah More
The Monthly Review for February carried an enthusiastic review by HM 's unsuccessful suitor John Langhorne .
Jones, Mary Gwladys. Hannah More. Cambridge University Press.
19
The Critical Review praised Sir Eldred's sentiments, description, and versification.
Critical Review. W. Simpkin and R. Marshall.
41 (1776): 237
On the strength...
Publishing Hannah More
Cadell said the whole of the first edition was pre-sold before publication day: he hurriedly sent HM a copy to correct for a second edition.
Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta.
113-4
It went through eleven editions: nearly ten thousand copies.
Jones, Mary Gwladys. Hannah More. Cambridge University Press.
200
Textual Production Hester Lynch Piozzi
HLP published with Cadell her Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany.
Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press.
342-3
Publishing Hester Lynch Piozzi
Cadell had offered her £500 for the right to publish her Johnson letters. Samuel Lysons helped her with the job of editing.
Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press.
295-6
Publishing Ann Radcliffe
Its full title was The Italian, or, The Confessional of the Black Penitents. A Romance. For the copyright of this novel, the author and her husband received £800 from the publishers, Cadell and Davies
Textual Production Radagunda Roberts
This time she used two leading London publishers: Dodsley and Cadell . She mentioned her previous translation on the title-page, and expressed the hope that this book would become a textbook for girls' schools.
English Short Title Catalogue. http://estc.bl.uk/.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Textual Production Charlotte Smith
CS 's Celestina: A Novel, her third to bear its heroine's name as title, was advertised by Cadell as just published.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 548
Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press.
xxiii
Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering.
7: 388
Publishing Charlotte Smith
Since the Prévost book had been out for two generations, it was no wonder that two previous translations had appeared. According to CS 's sister, Catherine Ann Dorset , Cadell published an edition of Smith's...
Textual Production Charlotte Smith
Smith wrote on 17 June to request a copy from Cadell .
Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, p. xxix - xxxvii.
xxxii
In her preface she condemns Pitaval for affectation and bad taste, but (in response, clearly, to criticisms of her Manon)
Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, p. xxix - xxxvii.
xxxiv
Publishing Charlotte Smith
CS was working on this novel during the final breakup with her husband; she dedicated it in verse to her children. The first edition (1,500 copies, published by Cadell ) sold out quickly. CS made...
Publishing Charlotte Smith
Her publisher, Cadell , paid her more than £260 for this novel, which she dedicated to minor royalty in the person of the Duchess of Cumberland .
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 485
She had attempted negotiation, instead of...
Publishing Charlotte Smith
Her former publisher, the firm of Cadell , was just passing to a new generation. Both Thomas Cadells , father and son , and William Davies (partner of the latter) found Desmond too revolutionary: it...
Textual Production Charlotte Smith
This novel (published with Cadell and Davies ) was her second set during the French Revolution. She began by calling it The Exile, with the idea of making it a sequel to The Old...
Textual Production Charlotte Smith
She dated her preface 19 November 1794. Further editions followed, and Rambles Farther (a sequel from the same publishers, Cadell and Davies ) appeared in August 1796, dedicated by permission to the twelve-year-old daughter of...
Textual Production Charlotte Smith
It ran until 2 May, and was published the same year.
Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan.
289, 355
Because she did not claim the play, her authorship is sometimes doubted, but she had reasons for not owning it: her delay...

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