Delaney, Shelagh. The Lion in Love. Methuen.
prelims
Connections | Author name Sort ascending | Excerpt |
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Performance of text | Shelagh Delaney | A second, moderately successful production of SD
's play The Lion in Love opened at London's Royal Court Theatre
, where it was presented by the English Stage Company
. Delaney, Shelagh. The Lion in Love. Methuen. prelims Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 121 |
Performance of text | Sarah Daniels | Byrthrite, SD
's historical feminist drama about women's reproductive rights and the persecution of witches, set during the English Civil War, was first performed at the Royal Court Theatre
. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: One. Methuen. 334 Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. Routledge. 92 |
Performance of text | Sarah Daniels | The Women's Playhouse Trust
first performed a play by SD
about sexual abuse, Beside Herself, at the Royal Court Theatre
, directed by Jules Wright
. Daniels, Sarah. Plays: Two. Methuen. 96 Goodman, Lizbeth, and Jane De Gay. Feminist Stages: Interviews with Women in Contemporary British Theatre. Harwood Academic Publishers. 100 Aston, Elaine, and Geraldine Harris. Performance Practice and Process: Contemporary (Women) Practitioners. Palgrave Macmillan. 82 |
Performance of text | Sarah Daniels | Another play by SD
opened at the Royal Court Theatre
Upstairs: The Madness of Esme and Shaz, performed by the English Stage Company
. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: Two. Methuen. 264, chronology |
Publishing | Sarah Daniels | SD
began writing after reading an injunction from Doris Lessing
about putting one's life in order. Some fringe plays that she attended were absolutely dreadful, which made her confident that she could do better... |
Performance of text | Sarah Daniels | The original production, directed by Jules Wright
, moved with only one cast change from Manchester to London, to the Royal Court Theatre Upstairs
, in November 1983, and to the main auditorium on... |
Performance of text | Sarah Daniels | SD
dedicated this play to all the friends, both mothers and teachers who have shared their experiences with me. She acknowledged the influence of Phyllis Chesler
's interpretation of the myth of Demeter and Persephone... |
Employer | Sarah Daniels | SD
became an associate writer-in-residence at the Royal Court Theatre
in London. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Performance of text | Sarah Daniels | Ripen Our Darkness, a play by SD
about a woman exploited by her family and ignored by society, opened at the Royal Court Theatre
Upstairs (the smaller auditorium). Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: One. Methuen. 2 |
Performance of text | Sarah Daniels | SD
's play The Devil's Gateway was first performed at the Royal Court Theatre
Upstairs. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: One. Methuen. 74 |
Performance of text | Caryl Churchill | CC
's play Far Away opened at the Royal Court
's Theatre Upstairs, directed by Stephen Daldry
. Churchill, Caryl. Far Away. Nick Hern and Royal Court Theatre. title-page |
Textual Production | Caryl Churchill | CC
's A Number (a play about cloning, whose characters are exclusively male) opened at the Royal Court Theatre
in London, directed by Stephen Daldry
. Gardner, Lyn. “A Number”. Guardian Unlimited. |
Performance of text | Caryl Churchill | CC
's immensely controversial ten-minute work Seven Jewish Children—a Play for Gaza premiered at the Royal Court Theatre
in London, causing a furore which spread globally over the next few months. Churchill, Caryl. “Read Caryl Churchillapos;s Seven Jewish Children”. guardia.co.uk. |
Performance of text | Caryl Churchill | A play by CC
entitled Love and Information opened at the Royal Court Theatre
for a five-week run; it was published the same year. de Angelis, April. “Caryl Churchill: changing the language of theatre”. Guardian.co.uk. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Performance of text | Caryl Churchill | CC
's short play Escaped Alone, with its extraordinary cast of four ordinary women, all but one aged seventy or older, opened at the Royal Court Theatre
in London for a run of two... |
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