Barker, Juliet. The Brontës. St Martin’s Press.
497-8
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Emily Brontë | The persona of Ellis Bell, a mask that Emily insisted on retaining past the point when Charlotte would have liked to abandon the pseudonyms, led to considerable speculation and the conflation of the sisters... |
Literary responses | Anne Brontë | On 4 July 1846 two anonymous reviews of Poems by Currer
, Ellis
and Acton Bell
appeared, one mildly positive by Sydney Dobell
in the Athenæum, and one enthusiastic in the Critic. A... |
Literary responses | Charlotte Brontë | On 4 July 1846, two anonymous reviews appeared of Poems by Currer, Ellis, and Acton Bell: one mildly positive by Sydney Dobell
in the Athenæum, and one enthusiastic in the Critic. Barker, Juliet. The Brontës. St Martin’s Press. 497-8 |
Literary responses | Emily Brontë | Sydney Thompson Dobell
's anonymous Palladium notice initiated a positive critical view of Wuthering Heights, declaring it the unformed writing of a giant's hand; the large utterance of a baby god. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul. 277-83 |
Literary responses | Emily Brontë | On 4 July 1846, two anonymous reviews appeared. Sydney Thompson Dobell
in the Athenæum was particularly positive about the potential of Ellis Bell. He singled out the Song that opens The linnet in the... |
Literary responses | Elizabeth Barrett Browning | Pronouncements about gender, which permeated the Victorian reception of poetry (or of poetry by women) are particularly inescapable in the reception of Aurora Leigh, which directly satirised the criticism of women writers and other... |
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