Galchinsky, Michael. The Origin of the Modern Jewish Woman Writer. Wayne State University Press.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Features | Celia Moss | Critic Michael Galchinsky
notes that the collection expresses a spiritual piety and a yearning for return to Zion. Galchinsky, Michael. The Origin of the Modern Jewish Woman Writer. Wayne State University Press. 113 |
Reception | Celia Moss | Galchinsky
suggests that in Westernising their tales the Mosses sought to engender greater sympathy from non-Jewish readers, a motive the Athenæum also acknowledges. Galchinsky argues further that the sisters' appropriation of the romance genre, in... |
Textual Features | Celia Moss | Drawing once more on the romance genre, the Mosses returned to many of the same themes as The Romance of Jewish History, including the conflict between Jewish daughters and their fathers, with its implicit... |
Education | Marion Moss | |
Literary responses | Marion Moss | An Athenæum review criticized the collection, claiming the sisters neglected the really romantic annals and legends of their nation and erroneously represented Jewish life: [T]hough the names and scenery are Jewish and Eastern, the manners... |
Textual Production | Marion Moss | The journal ceased publication after only eleven issues. Although MM
claimed she wanted to devote more time to her family and to her school, critic Michael Galchinsky
attributes the journal's demise to a censorious act... |
Reception | Marion Moss | The journal received early and encouraging public support and became what Galchinsky
calls a security zone, a women-only space, a place of female independence. Galchinsky, Michael. The Origin of the Modern Jewish Woman Writer. Wayne State University Press. 79 |
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