Londry, Michael, and Elizabeth Tollet. The Poems of Elizabeth Tollet. Oxford University.
34, 40
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Ali Smith | |
Intertextuality and Influence | Ali Smith | Smith's take on Iphis and Ianthe begins with sisters Anthea and Imogen listening to their grandfather's stories from when I was a girl in the women's suffrage movement: a sure induction into matters of gender... |
Textual Production | Elizabeth Tollet | ET
, aged thirty, apparently arranged the anonymous printing of her first collection, Poems on Several Occasions, through John Clarke
, with a quotation from Ovid
on the title-page. Londry, Michael, and Elizabeth Tollet. The Poems of Elizabeth Tollet. Oxford University. 34, 40 Lonsdale, Roger, editor. Eighteenth-Century Women Poets. Oxford University Press. 842n116 |
Publishing | Elizabeth Tollet | ET
's poems were circulating at least by 1714, in manuscript, or in the opportunistic publications of others, or both. After her death William Duncombe
printed one of her imitations of odes by Horace
which... |
Education | Melesina Trench | After the deaths of her parents Melesina Chenevix was committed to the care of a governess who had a determination to rule by rigour. . . . The fear and distaste I had for her... |
Textual Features | Marie-Catherine de Villedieu | |
Intertextuality and Influence | Marina Warner | MW
published a study entitled Fantastic Metamorphoses, Other Worlds, a work which, like her preceding novel and short-story collection, reflects her interest in the Metamorphoses of Ovid
. Lasdun, James. “Hatching, Splitting, Doubling”. London Review of Books, pp. 24-5. 24 Jays, David. “Forever changes”. The Observer. |
Textual Production | Marina Warner | MW
published The Leto Bundle, a transhistorical novel in which she uses the Ovid
ian concept of metamorphosis to examine the realities of twentieth-century diaspora. Marina Warner: Novelist and Mythographer. http://www.marinawarner.com. |
Textual Production | Marina Warner | The basis of the book is Ovid
's story of Leto and the birth of her twins, an event which Warner had retold in a short story published the previous year. Marina Warner: Novelist and Mythographer. http://www.marinawarner.com. |
Intertextuality and Influence | Marina Warner | Here MW
enlarges on Ovid
's tale through her heroine Leto, a woman who travels through time, metamorphosing from a pre-Christian-era mother to a present-day refugee. Thus, Warner brings the Ovidian notion of metamorphosis to... |
Publishing | Marina Warner | The book, edited by Philip Terry
and published in London by Chatto and Windus
, brought together nineteen distinguished contributors from around the world, whose approaches to Ovid
vary considerably. Warner, Marina. “Leto’s Flight”. Ovid Metamorphosed, edited by Philip Terry, Chatto and Windus, pp. 160-82. 160-82 |
Intertextuality and Influence | Marina Warner | The editor notes that Warner's contribution follows a stratedy also used by Ovid
himself in deliberately confusing the story of Leto and her babies with other stories. Through the metamorphic nature of the narrative, she... |
Intertextuality and Influence | Susanna Watts | The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear... |
Theme or Topic Treated in Text | Anne Wharton | Love's Martyr deals with the supposed unhappy love-affair between the Roman poet Ovid
and Julia
, the daughter of Augustus Caesar
, who of course plans to marry her to someone more patrician and military... |
Intertextuality and Influence | Phillis Wheatley | PW
's poetry is technically adept; collected, it adapts the standard language of sentimentality and protest into a dignified and individual voice. She celebrates liberty of various kinds, praises the work of a black artist... |
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