Sir Walter Scott
-
Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Anna Jane Vardill | In September 1819 the European Magazine carried a poem in praise of AJV
, in which various Muses compete for possession of her. Axon, William E. A., and Ernest Hartley Coleridge. “Anna Jane Vardill Niven, the Authoress of ’Christobell,’ the Sequel to Coleridge’s ’Christabel.’ With a Bibliography. With an Additional Note on ’Christabel’”. Transactions of the Royal Society of Literature, Vol. 2nd series 28 , 1970, pp. 57-88. 65-6 |
Literary responses | Jane Porter | The notice in the Critical Review began by using this novel as a peg for a defence of good novels in general, especially, apparently, those dealing with national histories. The existence of many incompetent novelists... |
Literary responses | Anna Steele | In a lengthy review the Times noted that while Gardenhurst had many faults typical of first novels (citing other examples from Sir Walter Scott
, George Eliot
, and Charles Dickens
), it nonetheless has... |
Literary responses | Harriet Martineau | The Athenæum gave this almost a full-page review (far more than it had yet accorded any of the Illustrations). It compared HM
's work in detail with that of Sir Walter Scott
and more... |
Literary responses | Eliza Haywood | The Monthly Review found the heroine of this book more interesting than Betsy Thoughtless (with better character-drawing but a continued deficiency in plot and sentiments. It conceded that the whole was doubtless much superior to... |
Literary responses | Joanna Baillie | When Baillie re-read her own Witchcraft as a work in progress she wrote: I am inclined to think well of it. Renfrew witches upon a polite stage! Will such a thing ever be endorsed! qtd. in Witchcraft by Joanna Baillie. Finborough Theatre, 2008. |
Literary responses | Anna Gordon | William Tytler
was followed by many more in his interest in AG
's ballads. His son Alexander Fraser Tytler (Lord Woodhouselee)
, Scott
, Jamieson
, Joseph Ritson
, M. G. Monk Lewis
, Robert Anderson |
Literary responses | Harriet Martineau | The overall reception of this novel was better than that of Deerbrook, although the nobility of the hero was felt to be exaggerated. Roberts, Caroline. The Woman and the Hour: Harriet Martineau and Victorian Ideologies. University of Toronto Press, 2002. 76-7 |
Literary Setting | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley, 1849. title-page |
Material Conditions of Writing | Iris Murdoch | Though she was a contented only child, IM
said that the impulse to create imaginary siblings was the thing that first inspired her to write. In her teens she was a leading contributor to the... |
names | Joanna Baillie | Walter Scott
teased her about her taking up in her fifties the style of Mrs. (This had earlier been universal for older unmarried women, as a mark of respect; it was now becoming limited... |
names | Christian Isobel Johnstone |
|
Occupation | Anne Bannerman | AB
was instrumental in securing the papers of John Leyden
(linguist, poet, and friend of Walter Scott
, with whom she had had some kind of close relationship) for the use of James Morton
... |
Occupation | Fanny Kemble | She toured England, Scotland, and Ireland with the Covent Garden Theatre
company, met Walter Scott
, and was feted by Lady Morgan
in Dublin. Marshall, Dorothy. Fanny Kemble. Weidenfeld and Nicholson, 1977. 54-6 |
Occupation | Elizabeth Siddal | ES
was preparing illustrations for ballads by William Allingham
; she also worked on engravings for texts by Wordsworth
, Scott
, Tennyson
, and Browning
. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989. 66 |
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