Ashley, Leonard R. N., Aaron Crossley-Seymour, Charlotte Brooke, and Aaron Crossley-Seymour. “Introduction”. Reliques of Irish Poetry, Scholars’ Facsimiles and Reprints, 1970, p. v - xv.
vi
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Charlotte Brooke | Her contributions are Carolan
's Receipt, Leonard R. N. Ashley
calls this famous Irish bard Turlogh O'Carolan
. Ashley, Leonard R. N., Aaron Crossley-Seymour, Charlotte Brooke, and Aaron Crossley-Seymour. “Introduction”. Reliques of Irish Poetry, Scholars’ Facsimiles and Reprints, 1970, p. v - xv. vi Walker, Joseph C. Historical Memoirs of the Irish Bards. Printed for the author by Luke White, 1786. 87-8, 94-5, 103-6 |
Textual Production | Sydney Owenson, Lady Morgan | Printed by Preston
in London in sheet-music style, with her name, the title-page mentioned an introductory preface and dedication, and added Arranged for the Voice, with an Accompaniment for the Piano-Forte. Sydney Owenson, Lady Morgan,. Twelve Original Hibernian Melodies. Preston, 1807. title-page |
Theme or Topic Treated in Text | J. S. Anna Liddiard | The first poem in the volume, The Wreath of Fame, comments on her own daring in aiming for this wreath. Her other topics are the rage of Napoleon
(the Man of Slaughter)... |
Wealth and Poverty | Sydney Owenson, Lady Morgan | Morgan left a self-made fortune of more than £15,000 (her earnings had actually increased since she was awarded her pension of £300 a year). Her estate went to her surviving nieces, except for bequests to... |